C-Punch Ranch - Nevada

C-Punch Ranch, Nevada – Working Cowboys of the Great Basin

The C-Punch Ranch sits deep in the high desert of northern Nevada, a place where the road narrows, cell service disappears, and the landscape stretches out far beyond what most people ever get to see. I’ve photographed a lot of working cowboys across the West over the years, but the C-Punch has a way of staying with you. It’s a ranch of unthinkable size (1.8 million acres), resilient horses, and buckaroo traditions that haven’t been watered down by time or convenience. Everything about it feels rooted in the old ways—not out of nostalgia, but because it’s the only thing that works in a place that big!

This is a photographic look inside one of the Great Basin’s most respected outfits.

A Historic Ranch in the Heart of the Great Basin

The Great Basin is unlike anywhere else in the country. It’s wide, harsh, and rugged in a way that demands a certain type of cowboy—someone who’s as comfortable riding an endless trot as they are roping in big country. The C-Punch Ranch fits squarely into that tradition. It’s one of the longstanding outfits that helped define the buckaroo style: rawhide gear, flashy bits, big loops, Vaquero-influenced horsemanship, and an unwavering focus on stockmanship.

Ranches in this region operate across huge expanses of desert and sagebrush. The land is open, unforgiving, and absolutely beautiful. Cattle graze for miles. Horses cover ground that would break most people. And the cowboys who work here carry forward a culture that remains largely unseen by the outside world.

Photographing at the C-Punch is stepping into that rhythm—into a world where the work is real and the traditions matter.

Photographing Life on the C-Punch Ranch

My time on the ranch always starts before sunrise. The crew saddles in the pale light, horses blowing steam into the morning air. Coffee is hot, conversation is short, and the day begins quickly. Once you ride out onto the range, time moves differently. The distances feel enormous, and the silence is broken only by bawling cows, wind, and wild horses playing in the distance.

I photograph quietly. I don’t stage anything, and I don’t ask people to perform. The work is honest as it is, and the best photographs come from letting the day unfold as it always does.

Some days are spent gathering cattle across rough desert country. Other days are branding days—dust, smoke, ropes, and a kind of controlled chaos that resolves into teamwork. No two days are the same, and that’s the beauty of working ranches like the C-Punch.

Gathering Cattle Across the Nevada Desert

Cattle work in the Great Basin means covering many many many miles—sometimes more before lunch than most people drive in a week. The C-Punch cowboys ride out into sagebrush flats and rocky hillsides, spreading wide across the desert to bring cattle together. Horses work hard out there. Cowboys do too.

The landscape is big enough that you often see a single rider silhouetted against an entire mountain range. Dust hangs low. Light shifts quickly. And the relationships between riders and horses become clear in those long, quiet hours.

These are some of my favorite moments to photograph—honest, solitary, and rooted in the environment.

Branding on the C-Punch – Dust, Smoke, and Traditions That Don’t Change

Branding on the C-Punch is high desert ranching at its most iconic. There’s smoke, dust, noise, and movement from every direction. Cowboys rope calves from horseback. Ground crew works quickly. Horses stand steady in the swirl of dust. It’s a fast, physical kind of work, but everyone knows their place and the flow stays remarkably smooth.

What stands out most is how much horsemanship is involved. Everything is done with a rope, a horse, and practiced timing. It’s the kind of branding that defines buckaroo culture—the kind rarely seen by the general public.

Photographically, it’s a gift: sun slicing through dust, silhouettes in motion, rawhide ropes swinging through the air, and the steam rising off a fresh brand.

Details That Define a Buckaroo Outfit

You can learn a lot about a ranch by looking at the details. The worn bell stirrups marked by years of use, Garcia bits, rough out saddles, flat hats, rawhide reins that have passed through the hands of several cowboys. Spurs shaped by tradition, not fashion.

These details tell the story just as much as the wide landscapes or branding scenes. They show the craftsmanship, the lifestyle, and the individuality of each rider. They’re reminders that buckaroo culture isn’t just about cattle work—it’s about a way of life built over generations.

A Ranch Where Tradition Still Matters

The C-Punch Ranch is one of those rare places where the past and present meet naturally. The work is still done horseback. Young cowboys learn from seasoned hands. Horses are respected. Gear is functional, not decorative. And there is pride—quiet, deep pride—in doing the job well.

In a world moving fast and often in the opposite direction of tradition, the C-Punch remains steady. That’s what makes documenting it so meaningful. It isn’t a reenactment. It isn’t a version cleaned up for guests or cameras. It’s the real thing, practiced every day because it’s how the work gets done.

Related Ranches of the Great Basin

If you’re interested in this story, you may also like my photographs from:

• Spanish Ranch, Nevada — One of the most historic cattle ranches in northern Nevada.

Fine Art Prints & Licensing

Images from the C-Punch Ranch are available as fine art prints.
Licensing is also available for editorial, commercial, and documentary projects.

To inquire about prints or licensing, please contact me here - rob@robhammerphotography

Closing Thoughts

Every time I photograph the C-Punch Ranch, I leave with a deeper respect for the cowboys who ride there. The land is tough. The work is tougher. But there’s a sense of pride, purpose, and tradition that you won’t find anywhere else.

The Great Basin is a world unto itself—huge, harsh, and beautiful—and the C-Punch is one of the ranches that keeps its culture alive. My hope is that these photographs help preserve a small piece of that legacy.

Clouds sweep over the mountain peaks that border the C-Punch Ranch, a reminder of the scale and isolation of Nevada’s Great Basin.

A quiet moment at the barn as a cowboy saddles his horse before heading out onto the winter range at the C-Punch Ranch.

A cowboy pushes cattle across frozen ground at the C-Punch Ranch, the quiet rhythm of winter work in northern Nevada.

A buckaroo swings a loop from horseback during cattle work at the C-Punch Ranch, where roping is still done the traditional Great Basin way.

A miniature metal roping dummy sits on the bunkhouse table, used by young buckaroos learning the craft at the C-Punch Ranch.

A cowboy drives cattle beneath a sweeping sky at the C-Punch Ranch, framed by the rugged mountains of northern Nevada.

A close look at worn chinks and a working hand during branding at the C-Punch Ranch—details that define the buckaroo tradition.

A lone rider crosses the valley at dawn as the first light hits the mountains surrounding the C-Punch Ranch.

A cowboy threads his horse through a dense herd of cattle at the C-Punch Ranch, checking animals before the day's work begins.

A fleeting glimpse of a saddle horse moving through the corrals during morning work at the C-Punch Ranch.

A distant cowboy rides along a sunlit hillside near the C-Punch Ranch, dwarfed by the scale and shadows of the Great Basin.

A wide view of the high desert near the C-Punch Ranch in northern Nevada, where sagebrush flats meet distant mountains across the Great Basin.

A close look at the traditional buckaroo gear used at the C-Punch Ranch, from the rawhide reins to the well-worn saddle built for long days on the desert range.

Riding through the corrals at the C-Punch Ranch, a cowboy prepares to move cattle after a cold overnight storm.

Anvil and ropes at the C-Punch Ranch, showing the worn metal and dust of daily work during branding season.

A cowboy works a young horse in the round pen at the C-Punch Ranch, a daily part of keeping saddle horses sharp through the winter.

A thick layer of winter fog settles across the Great Basin near the C-Punch Ranch, leaving only the Ruby Mountains visible above the cloud line.

A cow skull and weathered Western painting hang on the wood-paneled wall of the C-Punch Ranch bunkhouse—a small glimpse into the everyday life of a historic Nevada outfit.

A seasoned buckaroo waits by the chutes at the C-Punch Ranch, preparing for another day of winter cattle work.

A cowboy rides the fence line near the C-Punch Ranch, a daily task in the wide-open winter desert of northern Nevada.

ranch dog sneaks a makeshift lunch beside the horse trailer — a small slice of daily life at the C-Punch.

Cowboys at the C-Punch Ranch pause on horseback as morning light hits the snow-covered mountains of the Great Basin.

A dirt road cuts across the Great Basin near the C-Punch Ranch, capturing the vast, quiet space of Nevada’s high desert.

A single rider crosses the open winter range—one of the most iconic sights in the Great Basin buckaroo tradition.

A cowboy climbs a livestock trailer at the C-Punch Ranch as cattle are prepared for shipping across the winter range.

The hand-painted sign at the entrance to the C-Punch Ranch, marking the start of a long dirt road that winds deep into the sagebrush country of northern Nevada.

Inside a Vanishing World: Photographing the Real Cowboys of the American West

FINE ART COWBOY PHOTOGRAPHY FROM THE AMERICAN WEST

For more than thirteen years, I’ve been photographing real working cowboys on historic ranches across the American West. What began as a personal documentary project slowly became an ongoing record of a culture that is rarely seen with honesty. These photographs are not staged or stylized—they’re created in the middle of real work, in real conditions, alongside people who live this life every day.

This long-form post brings together the stories, the images, and the philosophy behind my fine art cowboy photography, and why this project has become such an important part of my career.

Why I Photograph Real Working Cowboys

The American cowboy is often mythologized into something polished, cinematic, and far from reality. But on the ranches where I work, the West looks nothing like a movie set. It’s quiet, hard, beautiful, and deeply rooted in tradition.

My goal with this project is simple:
Document the truth of cowboy life with a fine-art approach.

What draws me in is not nostalgia, but authenticity—the grit of early mornings, the connection between riders and their horses, the rhythm of cattle work, and the way this lifestyle continues despite the world changing around it.

These are the moments that define the West, and they’re the moments I aim to preserve.

5+ Years on Historic Ranches Across the West

This project has taken me across thousands of miles and into some of the most storied ranches in America, including:

• 6666 Ranch in Texas

• Haythorn Land & Cattle Co. in Nebraska

• Winecup-Gamble Ranch, Spanish Ranch, and C-Punch Ranch in the buckaroo country in northern Nevada.

• OW Ranch in Montana

• San Antonio Viejo Ranch in South Texas

• Countless smaller, family-run outfits that are the backbone of the West

Each place has its own traditions and terrain, and each offers a unique window into cowboy culture. I don’t direct or pose cowboys for photographs—I work quietly, observing and shooting as the day unfolds. That approach is what gives the work its honest, documentary feel.

The Fine Art Approach Behind the Project

Fine art photography is often associated with controlled environments, but ranch life rarely offers that luxury. Conditions change fast—light, weather, horses, cattle, everything.

The challenge is to create images that carry:

• emotional weight

• strong composition

• a sense of place

• the stillness inside the chaos

Although the subject matter is raw, my approach is rooted in fine art. I’m heavily influenced by photographers like Kurt Markus, William Albert Allard, John Langmore, William Eggleston, Stephen Shore, and Joel Sternfeld—artists who elevated everyday American scenes through composition, restraint, and emotional subtlety.

My intention is not to dramatize cowboy life, but to elevate its truth through thoughtful, purposeful photography.

Cowboys, Culture, and the Future of the West

Ranch life is changing. Some ranches close, families move on, and traditions fade as the landscape of the American West shifts with time. But the people who continue this work remain deeply committed to the land and to their animals.

My cowboy photographs aim to create a visual record of a world that may look very different a generation from now. This project is both documentation and preservation—an ongoing archive that honors the people who keep this heritage alive.

Prints for Collectors, Designers, and Western Art Enthusiasts

Many of the images in this project are available as:

• Limited and open edition prints

• Large-format exhibition prints

• Custom framed artwork

Collectors, interior designers, and Western art lovers often choose these pieces for:

• luxury homes

• ranch properties

• hospitality spaces

• editorial features

• museum exhibitions

A curated selection of available prints from this body of work can be viewed here.

Licensing, Publications, and Exhibitions

This cowboy project has been featured in galleries, museums, magazines, and Western lifestyle publications. For brands and creative agencies, the archive includes thousands of images covering:

• horse and cowboy lifestyle moments

• cattle work

• Western landscapes

• gear, saddles, tack, hands, and details

• day-in-the-life documentary coverage

Licensing is available for commercial, editorial, and advertising use. Exhibition prints are available for museums and curated shows.

For rights inquiries, large-scale installations, or brand collaborations, please reach out directly.

A Personal Reflection After 6 Years

When I began this project, I didn’t realize how much it would shape my understanding of the American West. Spending time on these ranches taught me about resilience, tradition, community, and the unbreakable connection between people, animals, and land.

This project is ongoing. Each year I return to photograph new ranches and revisit old ones, continuing to build an archive that honors the real story of the West.

Contact for Collectors, Designers, Museums, and Brands

Whether you’re interested in a fine art print, a licensing request, or exhibition information, I’d love to discuss how this work can support your project or collection.

Overlooking a canyon carved by time. Out here, the terrain dictates everything, and the scale of the land reminds you how small a cowboy and his horse really are.

Morning work on the 6666 Ranch. Small details tell the truth of ranch life—the worn leather, the dust, and the patience of a horse waiting for the day to begin.

Branding day in the high desert. Heat, dust, and a rhythm that hasn’t changed in generations—every person, horse, and moment working in unspoken coordination.

Catching horses on a cold morning at the Winecup-Gamble Ranch. Work continues no matter the season, and the landscape becomes part of the story—wide, unforgiving, and endlessly beautiful.

A band of horses moving through open country at first light. Scenes like this define the West—vast, quiet, and untouched except for the sound of hooves in the distance.

Morning coffee in the wagon tent. Before the work starts, there’s a few quiet minutes where everyone gathers, talks, and warms up for the long day ahead.

Early morning in the fog. Work starts long before the light shows itself, and the quiet of these hours reveals just how unforgiving and beautiful the job can be.

Riding out beneath a building summer storm. Moments like this are the rhythm of ranch life—weather, work, and landscape all moving together across the open West.

Fly Fishing Colorado’s Fall Colors: Real Anglers on the Colorado River

Colorado River Fly Fishing Photography in Peak Fall Foliage

There’s a short window on the Colorado River every year when the angling and the scenery hit their stride at the same time. The leaves go yellow overnight, the mornings get cold enough to make you second-guess your life choices, and the trout—rainbow and brown—decide that maybe eating one more bug isn’t the worst idea.

If you’re lucky enough to be on the river when this happens, you’ll never forget it. If you’re stubborn enough to be a photographer, you try to make a picture of it that holds onto the truth of the moment. That’s the part no one tells you: the trout aren’t the slippery ones—memory is.

Autumn Light, Golden Aspens, and the Rhythm of the Colorado River

Fall on the Colorado River has its own kind of math. The light comes in at an angle that makes every rock look older and every shadow more serious. The aspens flare up like they’ve been waiting all year for the chance, and the river—never shy—slows down just enough for the reflections to make sense.

Photographing fly fishing in this kind of light is a lot like fishing it: you show up early, stand in the cold, and wait for the thing you hope will happen. Sometimes it does.
Sometimes it doesn’t.
But the truth is, you’d be standing out there anyway.

The angler in these photographs isn’t a models—he’s the kind of person who know which seam holds fish and which one just looks good from the bank. He wades out on their own terms, cast with a little grace and a little grit, and don’t make a big deal out of any of it. That’s why they photograph so well.

The river gives you a backdrop. The anglers give you the story.

On this particular day in this particular location I had a specific shot in mind which involved sitting up on the hill about 100 yards from where the angler was casting, just hoping he would catch a fish. Some time later, sure enough his body language completely changed and it was obvious he connected with a big fish. He fought with that thing for some time while I made some photographs. Entertaining as hell to watch and all the more enjoyable knowing that he had forgotten his net in the truck. Luckily he was able to beach the fish on the side of the river, which was punctuated with a scream heard from 100 yards away! A scene and a fight neither of us will ever forget.

Real Anglers, Real Casting, and True Western Fly Fishing

There’s a difference between someone who’s “out fishing” and someone who’s actually fishing. The former drinks beer out of a can and tells the same stories louder every year. The latter ties knots by feel, argues with themselves about tippet size, and doesn’t mind getting skunked as long as the cast felt right.

These are the anglers in my frames:
the real ones.

Some of these shots are wide—an angler small against a big bend in the river. That’s how it really looks out there. The scale is tilted in the river’s favor, and the angler knows it. The other shots get closer to the action: the line tightening, the water breaking, the moment right before a fish decides whether it’s smarter than you.

If you’ve ever fished fall in Colorado, you know the feeling. If you haven’t, these images get pretty close.

Fine Art Prints and Licensing Options for Brands and Magazines

Every photograph in this series came from a real day on the river, watching for the way autumn light settles across a seam or how a cast runs parallel to a line of yellow trees.

For collectors, these images make strong fine art prints—color-rich landscapes with just enough human presence to pull you in without letting you forget where you are. They hang well in homes, offices, lodges, and cabins, especially among people who know a good drift when they see one.

For brands, outfitters, and magazines, the images are available for editorial and commercial licensing. They were made with real anglers, real rivers, and real weather, which seems to matter more and more these days. If you need authentic Western fly fishing photography for a campaign or feature, these frames will do the job without pretense.

Fall doesn’t last long out here, but the river runs all year.
The photography tries to keep pace.

Fine art prints are are available in my Fly Fishing Print Gallery

You can also view the full collection of fly fishing photographs HERE

For licensing options or custom assignments on the water, feel free to email me - rob@robhammerphotography.com

Fall fly fishing lifestyle photograph

Colorado fly fishing in fall foliage

A fly fisherman surrounded by yellow leaves

Fly fishing brand photography

Fall foliage fly fishing in a Western landscape

Fly fisherman on the Colorado river in fall

Fly fisherman walking through fall foliage

Colorado Fly Fishing Photography: Documenting Luxury Angling Adventures

Professional Colorado Fly Fishing Photographer for Private Trips

The Beauty of Fly Fishing in Colorado’s Untamed Waters

For many anglers, fly fishing in Colorado isn’t just another day outdoors—it’s stepping into an experience that blends rugged adventure with world-class beauty. Snow-fed rivers carve through the Rockies, private stretches of water invite quiet reflection, and trophy trout rise in shimmering pools. These aren’t just moments to be remembered; they’re moments worth preserving with the same artistry as the experience itself.

As both a photographer and obsessed fly fisherman, I’ve been fortunate to shoot for commercial clients like Patagonia on iconic rivers across the American West, Canada, and Alaska. But what excites me most is creating something personal that clients can hang on their walls—a way to hold onto a place and a time that may never come again. Those memories of rivers and relationships are priceless.

Why Anglers Choose to Document Their Adventures

For affluent fly fishermen, a trip to Colorado is often a bucket-list experience, or a chance to step away from the world and share the sport with family, close friends, or clients. Hiring a professional photographer ensures the trip isn’t just lived—it’s transformed into a lasting story. From sweeping landscapes to candid lodge moments, photography elevates the experience and makes it timeless.

Photography That Goes Beyond the Catch

The best photographs don’t just show a fish in hand. They capture the anticipation of a cast, the glow of canyon light, the rhythm of the river, and the camaraderie at day’s end. Whether it’s the thrill of a hooked rainbow or the quiet focus of tying on a fly at dawn, the right photographer makes every moment feel cinematic.

From Private Rivers to Luxury Lodges: Capturing Every Detail

Some of Colorado’s finest fly fishing happens far from the public eye—on private ranch waters, guided float trips, and luxury lodges tucked into mountain valleys. These aren’t just locations; they’re part of the story. Documenting them ensures that everything, from a riverside toast to a fireside drink at the lodge, becomes part of your legacy.

Hiring a Colorado Fly Fishing Photographer for Your Private Trip or Vacation

Whether it’s a guided float, a lodge weekend with friends, a quiet father-son getaway, or a backcountry expedition, hiring a Colorado fly fishing photographer guarantees the experience is told with authenticity and artistry. This isn’t about snapshots—it’s about preserving your story with the same care you give to living it.

Ready to turn your Colorado fly fishing trip into more than a memory? Hire a professional photographer who knows how to capture the adventure, the luxury, and the details that make your time on the water unforgettable - rob@robhammerphotography.com

View my fly fishing photography portfolio to see more

Luxury fly fishing eperiences deserve photography that matches the moment

A once-in-a-lifetime fishing trip, captured in the heart of the Rockies

Smoking cigars at an exclusive fly fishing lodge in Colorado

Casting lines on exclusive stretch of river in Colorado

Holding. trophy trout on a luxury fly fishing trip in Colorado

Documenting a guided fly fishing trip on Colorado’s most exclusive waters

Fly fishing in Colorado’s pristine rivers, where the landscape is as memorable as the catch

A beautiful mountain creek in the Rockies, the perfect backdrop for fly fishing

The perfect end to a day on the river—cold beers waiting at the water’s edge

Every cast feels cinematic against Colorado’s dramatic canyon landscapes

Black & White Fine Art Photography of the American West

Black and White Cowboy Photography

Black and white cowboy photography strips the American West down to its essentials. Without color, the emphasis shifts to light, texture, weather, and gesture — the dust on denim, the worn leather of a saddle, the way a horse and rider move together through long days of work. These photographs are less about nostalgia and more about presence: moments observed as they unfold on working ranches across the West.

For generations, black and white imagery has been used to document labor, place, and tradition. In the context of cowboy life, it carries a particular weight. The absence of color removes distraction and places focus on form, grit, and endurance — qualities that define both the landscape and the people who work it. The resulting photographs feel timeless, echoing earlier documentary traditions while remaining grounded in the present.

This body of work was created through long-term access to real ranches and real working cowboys, photographed in the course of everyday ranch life rather than staged scenarios. The goal is not romanticization, but clarity — an honest visual record of a way of life that continues to evolve while remaining deeply tied to history.

Further down this page, you’ll find information for collectors, designers, and institutions interested in acquiring prints or licensing imagery from this series.

Black and White as a Documentary Language

Black and white has long been the visual language of documentary photography. Without the influence of color, attention shifts to structure, contrast, and moment — the quiet details that might otherwise be overlooked. In the context of cowboy life, this approach emphasizes the physical realities of the work: weathered hands, sweat-soaked shirts, dust rising behind cattle, and the geometry of fences, corrals, and open land.

These photographs are made in the course of real ranch work. Nothing is staged or directed. The scenes unfold naturally, shaped by long days, changing weather, and the rhythm of life on working ranches. Black and white allows those elements to exist without embellishment, presenting cowboy life as it is rather than how it is often imagined.

A Timeless Approach to the American West

Color often ties an image to a specific era. Black and white, by contrast, removes that timestamp. The photographs in this series could belong to many decades at once, reflecting a continuity that runs through generations of working cowboys and ranch families.

This timelessness is not about nostalgia. It’s about continuity — the persistence of skills, routines, and values that remain essential despite modern equipment and changing economics. The absence of color reinforces the idea that the work itself, not the era, is the subject.

Photographing Real Working Cowboys

This body of work was created through long-term relationships and repeat visits to ranches across the American West. Access comes from trust built over time, allowing moments to unfold naturally rather than for the camera.

The photographs focus on:

• daily ranch labor

• quiet moments between tasks

• the physical connection between cowboy, horse, and land

• the spaces where work happens — barns, corrals, pastures, and open range

The goal is documentation rather than spectacle. These images exist as a record of contemporary cowboy life, grounded in reality rather than performance.

Black and White in Contemporary Fine Art Photography

Within fine art photography, black and white continues to hold a unique place. It invites slower looking and emphasizes composition and mood over immediacy. In gallery and exhibition settings, black and white work often encourages viewers to engage more deeply with subject matter and form.

In the context of the American West, this approach places cowboy photography within a broader documentary and fine art tradition, rather than isolating it as purely Western or regional imagery.

Prints, Licensing, and Institutional Use

For collectors, designers, and institutions interested in this work, photographs from this series are available in a range of formats, including limited and open edition prints, large-scale exhibition prints, and custom framed pieces. These works are often placed in private collections, ranch homes, hospitality spaces, and curated environments where quieter, contemplative imagery is appropriate.

The archive also supports editorial, commercial, and exhibition use. Images from this project have been shown in galleries and museums and published in magazines and books focused on Western culture, photography, and documentary work.

Interested in this body of work?
A curated selection of black and white cowboy photographs from this project is available as fine art prints.

Cowboys on horseback overlooking a canyon during a pause in the workday.

Horses moving across open range, dust rising in the distance.

Black and white cowboy photograph installed in a private interior.

Studio photograph of a Western saddle displayed in a contemporary interior.

Hoi An’s Open Air Market: Color, Chaos, and Culture Through the Camera Lens

Photographs of Hoi An’s Open Air Market in Vietnam

First Impressions of Hoi An’s Market

Hoi An has a rhythm all its own, and nowhere is that more alive than in its open air market. The morning I walked through, the air was heavy with the scent of lemongrass and fresh fish. Woman in colorful clothes and conical hats called out aggressively, bargaining with customers who darted from stall to stall. I felt like I had stepped straight into the city’s pulse and was stimulated by all five senses. There is a reason Vietnam’s markets are so famous, because there is nothing else like them in the world!

It wasn’t staged for tourists. It wasn’t polished or quiet. It was busy, messy, colorful—and absolutely real. Come to think of it, I can’t remember seeing one other person at the market who wasn’t Vietnamese. As a photographer, that kind of energy is gold. Every direction I turned, there was a new scene unfolding: a pile of dragon fruit glowing under the morning sun, women throwing water on their fish, and scooters weaving through crowds loaded with fresh greens.

The Details That Make It Special

Markets like this are all about details. The textures of weathered hands scooping rice, the metallic shine of fish laid out on woven mats, the soft lines of conical hats leaning in the corner. Light spilled in from gaps between tarps, bouncing off everything—bright oranges, deep greens, pale pinks.

I slowed down, tried to blend into the background, and let the camera do the watching. The result was a series of photographs that capture not just what the Hoi An market looks like, but what it feels like to be there. These are the kinds of images that carry memory and emotion, long after the morning rush has faded.

Hoi An Market Photography and Prints

Photographs from Hoi An’s market aren’t just travel snapshots—they’re visual records of daily life in Vietnam. For collectors, designers, or editors, these images translate into striking prints or versatile editorial visuals.

Whether it’s a wide scene of the market’s bustle or a close detail of produce piled high, these photographs work as fine art wall prints, as editorial spreads for travel publications, or as authentic imagery for brands looking to highlight Southeast Asian culture.

Authentic Vietnamese Market Images for Licensing

For anyone searching for stock photos or licensing imagery of Vietnam, authenticity matters. These photographs were taken on the ground, in the real flow of the market—not staged or recreated. That means they carry the credibility that audiences are drawn to.

Editors can use them to anchor travel stories. Brands can bring them into campaigns that celebrate culture, color, and connection. Interior designers might even use them to create a vibrant focal point in a restaurant or office space.

If you’re looking for images that convey the spirit of a Vietnamese open air market—colorful, crowded, and deeply human—this collection is available for licensing and prints. Contact me for details.

Hoi An Market - Vietnam

Vietnamese woman in blue Non La

Buy meat at the Hoi An Market

Bowls of fresh seafood at open air market

Seafood street vendor in Hoi An

Motor biking through Hoi An Market

Fresh squid for sale at open air market

Fresh chickens marked with ink stamp

Cutting up fish at Hoi An Market

Motorbike piled with fresh eggs

Woman in conical hat buying meat at open air market

Kids sleeping at Hoi An Market

Woman in traditional Vietnamese hats selling food on street

Man on motorbike buying meat from street vendor

Piles of fish for sale at open air market

Woman in Non La riding bicycle

Open air market - Hoi An

Street vendors - Hoi An, Vietnam

Seafood for sale on the street in Vietnam

Bustling streets at the Hoi An Market in Vietnam

Between the Lines: American Roadside Photography in the Tradition of Evans and Shore

Small-Town America Through the Lens: Photographs in the Documentary Tradition

For well over a decade I’ve been photographing the overlooked corners of America: gravel roads that vanish into fog, neon motel signs with their bulbs burned out, small-town intersections tangled with power lines, and basketball hoops that lean in front of dance halls. These photographs belong to a lineage of American work that stretches from Walker Evans and his storefronts of the 1930s, through Stephen Shore’s road trip color, to the cinematic atmospheres of Todd Hido. Like them, I’m inspired and drawn to what exists quietly in plain sight—the ordinary architecture, signage, and streetscapes that carry the weight of history and culture.

The Road as Subject

Gravel highways, telephone poles, mist rolling across cornfields at sunrise—these are the visual markers of America’s in-between spaces. The road has always been both a physical and metaphorical subject in photography, a way to explore ideas of freedom, isolation, and change.

Signs, Stores, and Intersections

From hamburger stands and Coca-Cola signs to tilted stop signs and quiet main streets, the American roadside is as much about its signage and small businesses as its landscapes. These details aren’t decoration—they’re the cultural handwriting of towns across the country.

Everyday Americana

Grain elevators, basketball hoops outside dance halls, pick-up trucks in small-town squares—these objects embody the lived texture of rural and working America. They’re not staged, not polished, and that’s what makes them powerful. They reflect the country’s rhythms in their wear, rust, and resilience.

Why This Work Matters for Brands, Magazines, and Museums

This isn’t nostalgia—it’s documentation. Just as Evans, Shore, and Sternfeld captured the visual language of their eras, these photographs capture ours. For museums and magazines, it continues the historical thread of American visual culture. For designers and collectors, the prints offer large-scale works that carry both beauty and cultural weight.

This series is part of an ongoing archive of American Photography. For inquiries about licensing images for magazines, brands, or museum projects, please contact me at rob@robhammerphotography.com. Fine-art prints are also available for collectors and designers looking to bring authentic Americana into their spaces.

The intersection of grand architecture and back-alley grit in a Midwestern city

A small-town bar sign sits across the tracks, with power lines stretching into the fields.

A gravel road winds across the prairie, a lone tree leaning into the evening sky.

An old storefront faces the tracks, its walls holding onto decades of small-town life

An alleyway marked by graffiti and brick walls, tucked between houses and storefronts

Golden light burns through morning mist on a rural road lined with telephone poles

Shorty’s Lunch, a hot dog stand serving the town for over 50 years

A stop sign leans over as beat up trucks sit parked outside a small-town home

Mist drifts over fields as the morning light rises beyond the treeline

An old basketball hoop in front of Merriman Dance Hall, where sport meets community tradition.

A woman walking past classic architecture on main street in a rural midwest town.

An industrial dredge fades into the fog at dawn

Families gather on a Great Lakes beach with industrial factory rising in the distant haze

Ted’s Hamburger Shop - Toledo, Ohio

A man and woman sit inside a café, their reflections mingling with the architecture across the street

Hotel Lorraine, its faded signs and boarded windows recalling another era

A gravel road leads into rolling fog across Midwestern farmland.

A Chevrolet pickup parked near grain elevators and farm silos in town

A lonely highway illuminated by a single streetlight, stretching into the Midwestern horizon.

Authentic Western Brand Photography in Texas with Bucking Bull Trainer Dennis Davis

Behind the Lens of a Commercial Western Photoshoot in Texas

When Boot Barn called me to photograph a project with Dennis Davis, a bucking bull trainer in Texas, I knew it was going to be one of those shoots where everything lined up — the subject, the setting, and the story.

Dennis lives and breathes the Western lifestyle. His world is built around the kind of grit and determination that can’t be staged. That’s why people like Dana White trust him with their bulls, and that’s the kind of authenticity brands like Boot Barn want in their photography. It’s also the kind of work I love to produce.

From a production standpoint, shoots like this are where preparation meets adaptability. Bulls don’t wait for lighting setups, and Dennis can’t hit pause so we can get the perfect angle. The key is building trust, staying mobile, and knowing when to step in and when to step back. Every shot has to feel as natural as the dust and sweat in the air. So my tactic is to just be a fly on the wall, with the confidence that all my experience leads me to the right wall at the right time.

Working with Boot Barn meant balancing their brand vision with the reality of Dennis’ day-to-day routine that would both tell a story and sell clothes. We mapped out a shot list, but the best images came from leaning into what was happening in the moment: Dennis working a bull through the chute, quiet pauses between runs, the weathered textures of the arena, and of course action photos of the riders in action. Those unscripted moments are what connect an audience to a brand. For brands, that’s the value of hiring a photographer who has spent years documenting real Western culture. It’s not just about sharp images — it’s about telling stories that feel lived-in and true, while still delivering the polished assets a campaign demands.

Why Authenticity Matters for Brand Photography

Audiences are sharp. They can spot staged from a mile away, especially in the Western world. Photographing someone like Dennis Davis for Boot Barn wasn’t about staging cowboys and bulls — it was about showing the raw power and quiet pride of the work as it really happens. That kind of authenticity is what gives a brand’s imagery staying power.

What Brands Can Expect Working With Me

Every brand has its own story. My job is to translate that story into imagery that feels both true and visually striking. On shoots like this, that means:

• Clear communication before the shoot to align on goals.

• Flexibility on location to work with real-world conditions.

• An eye for the unexpected that creates the strongest images.

• Fun - if we can’t have fun on a photoshoot while still getting the job done, then you’re in the wrong business.

• Deliverables ready for campaigns across print, web, and social.

That’s the same approach I bring whether it’s a shoot for Boot Barn, a fitness campaign, or photographing working cowboys in the middle of Nevada. So if your brand is looking for imagery that feels as real as the people wearing your gear, I’d love to help bring that story to life -rob@robhammerphotography.com

To view the short documentary Boot Barn made about Dennis Davis go HERE.

To view more of my Western cowboy photography go HERE.

Shop Fine Art Cowboy Photography Prints

Portrait of professional bucking bull trainer Dennis Davis

Dennis Davis getting into his big rig truck used for hauling bulls

Dennis Davis unloads a bucking bull from a trailer

Jacob Law - bull rider

Close-up photograph of a bull riders belt buckle

Gritty photograph of a bull ride in Texas

Dramatic portrait of a bull rider

Quiet moment of contemplation before riding a bull

Dennis Davis laughing with friends during a bull training session

Dramatic photograph of a bucking bull

Photograph of a bull rider before a ride

Action photograph of a bucking bull in mid air

Anthony Smith - Bull Rider

Dennis Davis petting the back of a bucking bull

Bull trainer Dennis Davis laughing with friends while drinking beer

Dennis Davis Bucking Bulls

Detailed photograph of a cowboy driving in a classic truck with a rifle by his side

Photograph of a cowboy riding in the back of a pickup truck at sunset

Bucking bull trainer Dennis Davis loading a bull onto a trailer at dusk

Basketball Hoop Photography Licensing

Vintage Basketball Hoop Photography Licensing

Authentic Basketball Images for Editorial and Commercial Use

Unlike generic stock photos, these fine art basketball photographs carry authenticity and originality, making them stand out in campaigns, magazines, and branding projects. For almost 15 years I’ve been traveling the country in search of old basketball hoops that truly tell a story about the game. A story that connects with fans on a genuine level because they share the same passion I do for the sport.

The American Backcourts series isn’t about pristine courts in big arenas—it’s about hoops hung in barns, nailed to trees, strapped to telephone poles, or built out of whatever was available. They represent the pure love of the game, and that’s why brands, publishers, and designers license these images: they’re instantly recognizable as authentic.

Why Basketball Hoop Photography Works for Licensing

Basketball imagery isn’t limited to one type of project. For a brand, it adds energy and cultural credibility. For editorial outlets, it provides a visual story that resonates with readers. For interior design projects like gyms or sports facilities, it creates atmosphere. The versatility of basketball hoop photography makes it one of the most adaptable forms of sports imagery available.

Licensing Options Available

This archive of vintage basketball hoop photography is available for:

• Editorial use in magazines, books, and newspapers

• Commercial use in ad campaigns, branding, and product packaging

• Design projects for stadiums, gyms, or office interiors

Access the Full Archive

From mass-produced posters to overused stock photography, much of what exists online lacks authenticity. This project is different: a growing archive of one-of-a-kind images created over 15 years across small towns in America. The work has been featured in galleries, museums, NBA TV, SLAM Magazine, and historic basketball culture books.

View the full gallery of American basketball hoops HERE

To license authentic basketball hoop photography for your next project or campaign, contact me at directly

Sunset basketball hoop photograph

Photograph of an old basketball hoop in Nebraska

Black and white basketball hoop photography for editorial and commercial licensing

Photograph of a basketball hoop in a small American town

William Matthews - Artist

Photographs of Western Artist William Matthews

A First Meeting with a Western Legend

Although he doesn’t come from The West and wouldn’t restrict himself to the title of Western Artist, there is no denying the indelible effect William Matthew’s work has had on Western culture.

As with most of my subjects in any genre, it’s important that I have a genuine interest. And I’ve long been a fan of Matthews’ art, which was the reason for contacting Western Art Collector Magazine to see if they’d be interested in a feature on the iconic watercolorist.

At 76 years young he’s full of life and still has a strong desire to create art at a prolific pace. So having the opportunity to meet and photograph Matthew’s at work in his Denver, CO studio was a gift i’ll always be grateful for. A lot of artists can’t be bothered with this kind of thing, but he was welcoming and generous with conversation throughout our time together.

Shared Stories from Historic Ranches Across the West

Of the many compliments you could say about an artist, perhaps the best is that their style is instantly recognizable. And there’s no mistaking the renowned paintings he created of the American West, specifically of the buckaroos in nothern Nevada. There isn’t another artist alive whose work even vaguely resembled Matthews’. Which could be a big reason for his success, but it was also what drew me to him. Digest his paintings for a while and you’ll know they were created by a person that truly became part of the life. He was there. The light, colors, and textures of his subjects could only be made by a person with first hand experience. So naturally we talked a lot about our experiences having visited a lot of the same ranches. Oddly, a few days before writing this post, I came back from the Winecup Gamble Ranch - a place he frequented. A number of his paintings of the ranch grace the walls there and his book “Working The West” sits proudly on the coffee table at the big house. To further the conversation about shared experiences we also spoke about Western Spirit: Scottsdale’s Museum of the West, where we both had work on exhibition at the same time.

Capturing the Atmosphere of an Artist’s Workspace

Matthew’s has lived a life in art. It is his life, and that’s obvious when you walk into his beautiful studio, which I’m told he hadn’t ever granted access to. The shelves are filled with books about design - previous profession and gateway into art. The floors are a beautiful hard wood that accents the rich walls filled with momentos from decades of travel, and of course, art. The upstairs loft feels like a break room of sorts, where Matthews goes to play one of the dozen guitars that line the space. All of this is obviously bathed in beautiful light from the north facing window that he designed along with the rest of the studio.

Photographing an artist like this in his sanctuary should never be taken lightly. And there is also a lot to consider when it comes to the plan of attack. First and foremost is respecting their time. Beforehand I had it in my head to set up a few strobes, but quickly realized that half hour would be better spent photographing documentary style as a fly on the wall with available light.

How Matthews’ Work Connects to Cowboy Photography

William Matthews’s paintings aren’t made to create a dramatic version of the American West. They are quite the opposite. His paintings are beautiful, but they’re also full of the real grit that comes with being a real cowboy. And that same grit is what I hope to portray in my photographs. So if you’re attracted to his style, you might also enjoy the photographs I make of working cowboys, which you can view HERE.

Shop fine art cowboy photography prints for interiors

Portrait of artist William Matthews

Photograph of William Matthews painting in his Denver, CO studio.

Photograph of William Matthews painting

Weathered Edges: Photographs from Twillingate, Newfoundland

Twillingate, Newfoundland: Coastal Photography from a Weathered Fishing Village

Raw and Honest Travel Photography from the North Atlantic Coast of Canada

Twillingate isn’t a polished resort town catering to tourists with deep pockets and that’s what makes it worth photographing. It sits out there on the far edge of Newfoundland facing the North Atlantic like it’s been in a long, quiet standoff with the sea. You don’t end up in a place like this by accident. It’s not on the way to anywhere. It is the end of the road.

What you find when you get there is a real working town. Fishing boats that still leave the docks. Lobster traps stacked high. Salt-stained siding on colorful houses that have stood up to more storms than most people ever will. Everything here feels like it’s been through something and come out the other side tougher.

I didn’t go looking for the postcard version of Newfoundland. I was more interested in the cracks in the paint. The soft fog that swallows the landscape. The feeling of standing in a place that’s been shaped by time, wind, and water.

What to Do in Twillingate (Besides Freeze Your Face Off)

Iceberg Tour

Admittedly I was less than enthusiastic when Emily said she signed us up for an iceberg tour on our first day in Twillingate. It just seemed like a gimmick where you spent too much time on a boat driving out into the middle of the ocean to look at an unimpressive chunk of ice. Now, having done it, I’d say the tour is a must-do!! Pulling out of the harbor we could see an iceberg off-shore, which the captain informed us was 14 miles away!! The ride to get there took about an hour and a half, which might seem long, but the anticipation and changing views of the iceberg makes it a lot of fun. The closer you get, the more details and features reveal themselves. We were both completely blown away. Truly stunned at how magnificent it was up close. One of those things you can try explaining to people but the only way to understand is to experience it for yourself.

*** Bring binoculars - it’s very entertaining to look at all the whales, waterfowl (Puffins), icebergs, and coastline from the boat.

Food in Twillingate

Twillingate isn’t a culinary mecca. It’s a fishing town, so the local offerings are either bar food or seafood (cod), and of course the obligatory Chinese take-out. Annie’s Harbour Restaurant is your best bet for lunch or dinner, and like the name suggests, it’s right on the water so the views are great. Crow’s Nest Cafe is the spot for breakfast. If you’re looking for a drink, head over to Stage Head Pub. They have a bunch of beer on tap including the local Split Rock Brewing Company - made in Twillingate but they don’t have a tasting room, so it’s only available on tap around the island.

Go For A Hike

All around town you’ll see subtle signs for Rockcut - A Walk on The Edge. Rockcut is a series of trails that cover the entire Twillingate area and offer amazing elevated views of the rugged coastline and have offerings for all level of hiker. We did one that started from the Long Point Lighthouse that was a lot of fun and could see all the way (14 miles) out to the iceberg from the previous days tour.

Walk Around Town (with or without a camera)

I’ve always believed that the best way to see and learn about a new place is to walk. And Twillingate isn’t a big place, so walking is an easy option. Early mornings there seem to be quite foggy, providing the perfect vibe for poking around the fishing docks and getting a feel for the locals daily life.

Fine Art Prints Available

If any of these scenes from Twillingate stuck with you, prints are available, and licensing is always an option for editorial and commercial usage. Contact me directly for options.

Iceberg seen during a tour from Twillingate, Newfoundland

Lobster pots stacked up on the fishing docks in Twillingate

Homes on the rugged coastline of Twillingate

Early morning in a small Newfoundland town

Photograph of boats in the fishing docks in Twillingate

A rocky island off the northern coast of Newfoundland, Canada

A private fishing dock in Newfoundland

The town of Twillingate, Newfoundland, Canada

Fog covering abandoned barns in Twillingate, Newfoundland

Old wooden fishing docks

Commercial fishing boats fill the docks in Twillingate

The rocky coastline of Newfoundland

Colorful dockhouse in the harbor of Twillingate

A stack of commercial lobster pots

A rocky island off the coast of Twillingate

Commercial fishing boats in the harbor of Twillingate, Canada

Black and white photograph of homes in a small cove on the coast of Newfoundland

Martin Gerdin: Glass Trout and the Art of Fly Fishing

From Wild Fish to Glass Art: Photographing the Work of Martin Gerdin

A Fly Fishing Artist Who Honors the Fish

If you spend much time around fly fishing and have an appreciation for art, then you’ve heard the name Martin Gerdin. His hand-blown glass fish are more than just decorative pieces, they’re immaculate tributes. To the fish. To the places they live. To the hours spent chasing them in silence with and without victory. When I had the opportunity to photograph Martin for a recent magazine story, I knew right away this wasn’t just another artist profile. It was a chance to document someone who truly understands what makes fly fishing special.

Photographing the Process Behind the Glass

Martin’s Gerdin’s studio is located in Crawford, a small town in a remote section of southwest Colorado, which tells you a bit about him already. He doesn’t need the fancy street facing storefront, because for him, it’s only about the work. And that’s obvious seeing him in action. He cares. Sure, creating stunning glass blown fish is how he earns a living, but it’s also his passion. Glass blowing is a very delicate art, especially when dealing with a pieces the size of Gerdin’s fish. There are so many steps along the way that can cause each one to be ruined. And when that happens all is lost. Back to the beginning. As a photographer intent on documenting a process that cannot be faked, the only option is to be a fly on the wall and not get in the way. Martin and his team are constantly moving, back and forth from the work bench to the furnace, over and over. For this shoot I wanted to use strobes to light the scene in a way that wouldn’t draw attention to the light itself. Rather as more of a subtle enhancement. So the hard part was finding those places within the studio that the strobes and light stands wouldn’t impede his flow. Which was difficult at times, but he graciously told me when they needed to be moved and everything worked out just fine in the end. To be honest, there were times when I just wanted to sit back and watch. Looking at Gerdin’s work on his website or Instagram is impressive, but to see a final piece come to life before your eyes, is something else altogether.

**If you think creating glass trout for a living is all glamour, think again. It’s well over a hundred degrees in Martin’s studio when the furnace is running.

Where My Work Intersects with His

Martin Gerdin doesn’t create custom glass trout for fly fishing collectors by accident. It started out of his rabid obsession with the sport itself. The assignment to photograph Martin at work also didn’t happen by accident. As a photographer, it’s very important to me that the people and stories I work on, are ones I truly care about and have an interest in. So I pitched the idea to a magazine because I was a fan of his work and am also violently obsessed with fly fishing, which has led to a somewhat unhealthy amount of time on the river with both a fly rod and a camera. Like Martin, it’s my happy place.

See the Full Collection

Want to see more?
You can view my full collection of fly fishing photography prints [here]. Each image is available for purchase, and select pieces are also available for editorial or commercial licensing. If you’re a collector, or simply someone who loves the water, I think you’ll find something that speaks to you.

Martin Gerdin - Glass Fish Artist

Fine art glass fish artist Martin Gerdin at work in his studio in Crawford, Colorado

Glass fish art

Fly fishing artist at work

Hand blown glass shark

Photograph of an arist creating a hand blown glass shark

Hand blown glass brown trout art

Photograph of glass trout being made

A glass blown brown trout going into the furnace

Fine Art Basketball Hoop Photography Featured in Courtside Candy by Gestalten

Basketball Art + Culture Book - Courtside Candy by Gestalten

Where Streetball Becomes Sculpture

The basketball hoops I photographed in Courtside Candy weren’t made in factories or sponsored by brands. They were made by an artist (Nick Ansom), welded together in backyards, bolted to alleyway walls, and patched together with whatever materials were around; bike rims, plywood scraps, milk crates, rusted steel. In Venice Beach, this isn’t junk. It’s basketball art.

Each hoop reflects a specific personality. Sometimes playful, sometimes gritty, always creative. They’re part of a larger story about the culture of the game. These aren’t just functional backboards; they’re sculptures. And like all good art, they say something about the people who built them.

Venice Beach: A Legacy of Basketball and Creativity

Venice Beach has always been more than a postcard, it’s one of the most iconic basketball communities in the country. It’s where pickup games turn into performances, and where the court is as much a canvas as the chaos and mural-covered buildings around it.

Courtside Candy lives in that space between sport and expression. The hoops in this series represent the DIY spirit that runs through Venice’s streetball scene. They speak to resourcefulness, style, and the love of the game without any need for polish or perfection. In a place where surfing, skateboarding, painting, music, and basketball all collide, these hoops feel right at home.

About the Courtside Candy Book

The Courtside Candy book is a visual archive of this subculture, a historic collection representing the culture of basketball, celebrating the infinite ways the game has been translated into art by people all over the world.

Each piece unique on its own, but collectively, and along with the beautiful writing by Ben Osborne, the book tells a different and vitally important story about the games influence.

Click here to view and purchase available prints or contact me directly if you’d like a basketball print of any photograph not already listed.

Part basketball hoop, part sculpture. This Venice Beach alley setup is a reminder of how the game adapts to its surroundings

One of the many hoops that reimagine basketball as public art, photographed in the back alleys of Venice

Basketball hoop made from found materials, photographed as part of an international basketball art book

This photograph is part of a published series that explores the creative edge of basketball culture in America’s urban spaces

Equal parts sculpture and sport, this Venice Beach hoop transforms function into form, blurring the line between art installation and basketball court

From the streets of LA to the pages of Courtside Candy, these handmade hoops carry a different kind of history.

The Spanish Ranch - Nevada

Historic Cowboy Photography at the Spanish Ranch in Nevada

Documenting a Legendary Nevada Cattle Operation

Northern Nevada is home to some of the most historic cattle ranches in the country. North of I-80, the landscape becomes a patchwork of sagebrush and working land, a region shaped by generations of ranchers. I recently had the chance to photograph life on the Spanish Ranch in Tuscarora, Nevada, part of the legendary Ellison Ranching Company, which has been operating there since 1910. But the history of this land goes back even further. Buckaroos were running cattle here long before the Ellisons arrived, and luckily, many of the old traditions are still alive there today. You see it in the way the cowboys move through their day, in the gear on their horses, and in the quiet pride they carry.

Why Nevada’s Buckaroo Country Feels Different

Every ranch has something unique, but I’ll admit I’m especially drawn to those in Nevada. The Sagebrush Sea has its own kind of pull; wide open, endless, and meditative. The buckaroo style itself, the horsemanship, the gear, the rhythm of the work all feels timeless and intentional. Even just driving onto the ranch, you know you’re entering a special place.

When I visited, it was branding season, and the cowboys were camped in teepees out in the desert, hours from the nearest town. Each night, I’d fall asleep staring out at the fading light on the horizon, just the wind, the birds, and the slow color shift of the sagebrush. No noise. No phones. No traffic. It’s the kind of peace you can’t buy or download.

Mornings started early with breakfast at 4:30 a.m., and then the day unfolds just the same way it has for ages, horseback across giant swaths of pristine country. Watching these cowboys work in such a remote, beautiful place is something I’ll never take for granted.

Photographing the Spirit of the American West

Photographing working cowboys on historic ranches like the Spanish Ranch isn’t just about documenting a job, it’s about capturing a way of life that’s still deeply rooted in purpose, patience, and hard work. Every trip out to a ranch like this reminds me why I do what I do. It’s always hard to leave after spending time with great people that deserve so much respect, knowing the road home means traffic, screens, and emails stacked up like fence posts. But I carry the stillness of these places with me and I try to pass that along through the photographs.

View More Cowboy Photography

Click HERE to see more photographs of working cowboys in the American West.

Fine Art Prints - Western Home Decor

Click HERE to shop my fine art cowboy photography prints

Contact me directly if you’re interested in licensing my cowboy photographs for editorial and commercial usage - rob@robhammerphotography.com

A roper at work on the Spanish Ranch—timing, balance, and decades of horsemanship distilled into a single loop of the rope.

Horses kicking up dust in a corral at The Spanish Ranch in Nevada

Riding through open range

Buckaroos dragging calves to the branding fire

Sunset on the Spanish Ranch

Branding morning on the Spanish Ranch: heat, dust, smoke, and the kind of teamwork that defines ranch life in Nevada’s high desert.

Pack of horses in a cloud of dust

Cowboys push a herd across the wide Nevada desert at the Spanish Ranch—one of the oldest and most storied cattle outfits in the Great Basin.

A fleeting moment from horseback on the Spanish Ranch—motion, dust, and the worn-in leather that speaks to a life spent working cattle.

Roping calves on a working cattle ranch in the American West

Nick Donker

The Spanish Ranch - Tuscarora, NV

Buckaroo getting into his teepee

Dust hangs in the air as a cowboy braces at the branding grounds, surrounded by the grit and rhythm of a long ranching tradition.

Cow Camp at The Spanish Ranch in Nevada

Morning light hits the branding grounds at the Spanish Ranch as cowboys and horses move in tight coordination, each role essential in the workflow of a big outfit.

Makayla Fulfer - Cowgirl

Group photo of cowboys on the Spanish Ranch

Early morning bronc ride

Cody Braucher - Cow Boss - Spanish Ranch

Cowboys working cattle on a ranch in Nevada

Rocky Mountain National Park Fly Fishing Photos for Editorial and Commercial Use

Fly Fishing Photography from Colorado’s High Country — Fine Art Prints & Licensing

Real moments on the water, made in the heart of Rocky Mountain National Park.

Cold mornings in the mountains always start the same way — a slow walk through the dark, breath hanging in the air, rod in one hand and camera in the other. By the time the sun pushes over the peaks, the river is alive. Trout rise in the still water. Light breaks through the trees. And for a few fleeting minutes, everything lines up — timing, motion, focus — and the story of fly fishing in the Rockies writes itself.

These photographs were made deep inside Rocky Mountain National Park, where elevation, weather, wild trout, and rugged scenery dominate whether you like it or not. I wanted to capture what it feels like to be there — cold water around your legs, line cutting through the air, and tough fly fishing conditions not meant for beginners. Every year thousands of people visit the park in hopes of catching trophy fish, but the scenery is what’s truly special there. Some parts like the Moraine are a bit more mellow, but keep going deeper and there are scenes that feel outright apocalyptic —The Big Thompson River cutting through a harsh landscape of burned trees and a backdrop of snowcapped Rocky Mountain peaks. Nothing about these scenes is staged. They’re small truths from long days spent chasing fish and light in equal measure.

Capturing the Spirit of the American West

Fly fishing in the high country is more than a sport — it’s a form of meditation. It demands patience, precision, and respect for wild places. That’s what drew me to photograph it in the first place. The work isn’t about perfect casts or trophy fish. It’s about that quiet connection between people and water, the rhythm of effort and release that defines so much of life in the American West.

Each image in this collection carries the same focus I bring to my broader body of work: authentic outdoor lifestyle photography rooted in real experiences. No actors. No setups. Just genuine moments of solitude, motion, and balance in the mountains.

Fine Art Prints & Licensing Availability

These images are available as museum-quality fine art prints in a range of sizes, ideal for residential, commercial, or hospitality interiors that celebrate the natural world. Each print is produced using archival inks and heavyweight paper to ensure exceptional depth and longevity.

They are also available for editorial and commercial licensing. For outdoor brands, magazines, or conservation organizations, this series offers authentic visual storytelling — images made by someone who’s been there, not staged it.

If you’re interested in acquiring a print or licensing images from this collection, please reach out directly:
📩 rob@robhammerphotography.com

About the Photographer

Rob Hammer is an outdoor lifestyle and fine art photographer based in Colorado. His work documents authentic moments across the American West — from working cowboys and ranch life to fly fishing, small towns, and open roads. His photographs have been featured in galleries, museums, and commercial campaigns for some of the country’s most respected Western and outdoor brands.

Fly fishing guide tying a fly to his line before fishing in front of snow capped peaks

Fly fishing in Rocky Mountain National Park

Big Thompson River Fly Fishing - Rocky Mountain National Park

Fly fisherman adding floatant to his fly

Fly fishing the Moraine - Rocky Mountain NP

Backcountry fly fishing

Fly fisherman walking through a forest of burned trees in Rocky Mountain National Park

Frustrated fly fisherman after losing a fish

Fly fisherman netting a trout in a backcountry section of the Big Thompson River

Rocky Mountain National Park fly fishing

Smiling fly fisherman

Authentic fly fishing photography

Traditional Western Saddle Making: Cowboy Gear and Fine Art Photography

Inside the Workshop of a True Western Craftsman

Custom Western Saddles

“If I created a really, really goddamn nice saddle, and some cowboy—or buckaroo or vaquero—rode that son of a bitch, but took care of it; if he burned the damn edge of the cantle binding off from draggin’ calves, or burnt the fork cover down with a groove where his rope ran, and he wore the flowers down to nothing, that’s a success. It ain’t the son of a bitch in mint condition that’s hanging in a barn somewhere.” That quote from Doug Cox might give you an insight to his personality, but there’s a lot more to know about the obsessed saddle maker from Grangeville, Idaho that’s still feverishly working toward better saddles 50+ years later. His stoic demeanor and unfiltered vocabulary might offer a rough first impression, but he’s sharp as a whip and two steps ahead of everyone. Despite being a world class artist, he retains no ego, is quick to laugh, and only answers your questions with honest thoughts. The kind of guy you never once doubt when he starts a sentence with “Fact is…..”. 

Born in 1950, Doug’s earliest memories formed on the steer ranch his family lived and labored on for 17 years before renting their own. “When you were old enough to work, they worked your ass off”, Doug recalls. For him that was age 7, and a typical day started in the morning, milking cows and feeding saddle horses. In the winter they fed 2,000 head of steer with grain around noon and again with hay at night. Then it was back to milking cows, feeding saddle horses, fixing equipment, supper, sleep, repeat - a typical routine for everyone Doug knew, so he never thought to complain. At 8 or 9 he was put on a horse to start moving cows around, at which point, “you passed the dogs in rank”, he joked. In high school Cox found a job nearby working for a man who raised registered quarter horses, because he didn’t get paid at home, just fed. Other jobs followed; day working for a slew of ranches in the area. He also started stamping leather belts for beer money. The first one came out of shop class. “I backed the teacher up. He couldn’t imagine anybody in high school could do something like that.” Still, all of Doug’s long waking hours were spent horseback in big country where he met a lot of “shittin’ saddle makers”, until moving south in 69’ for an Ag college in Sheridan, Wyoming that had two sports - basketball and rodeo! So began his career riding broncs and showing reining cow horses and cutting horses. More importantly though, he was hanging out at King’s Saddlery after school - drinking coffee, shootin’ the shit, and becoming a recipient of the trickle down effect. Shortly after, the fascination with school vanished, and he was once again enjoying life as a drifting cowboy. 

Towards the end of 1970 his number was picked for the military where he spent 4 years as a corpsman on an Orthopedic Ward. There he received forced knowledge of anatomy and physiology. Being up close and personal with broken people day in and day out taught him about “human construction”, as he calls it. More specifically it cued his one track mind into a would be blueprint for the opposite of a shittin’ saddle. 

After the service, he wound up back in Idaho working in the logging industry, running a Cat and riding broncs on the weekend. That fall, his crew got snowed out and told to sign up for their “rocking chair money”. Never one to welcome idle time, he got the leather bug and decided to get serious, combing Burton’s Leather Craft catalogue and “ordered me a shit ton of tools”. First up were belts and women's handbags which didn’t exactly quench his thirst. Then out of nowhere, he received a call from an old rodeo friend wanting the interior of his Cadillac El Dorado stamped. His first real job! The arm rests and doors were barely finished before the owner got drunk one night and wrapped it around a telephone pole. So his big money job went out with a hangover, but business still progressed and people took notice. In 76’ the legendary saddle maker Ray Holes offered him an apprentice job, as it seemed Cox’s particular knowledge and talent was taking away customers. An incredible opportunity for Doug to learn the business from the ground up! His days were now spent repairing equipment and crafting leather into pouches for vice grip pliers, chaps, and axe scabbards that got sent all around the world. “There was no scrap. We used everything till there wasn’t any left, and turned it into money” says Cox. $2.85/hour sat just fine with him because the real payment was education, and the promise of a position building saddles after 5 years. 

He became a sponge. “You’d go home and try to do everything they did as good as they did. Some things you pick up pretty rapid, and some things I’m still working on today. Nothing is a done deal. Every day is brand new.” Aside from Holes himself, Bob Kelly was Doug’s biggest mentor up to that point. 3 years after Cox signed on at Holes’, Kelly, who built 1,326 saddles in that shop, retired. So Cox was thrown into the job simply because there wasn’t anyone else. He was forced to figure everything out on the fly. “I asked Ray Holes, what happens when you cut out a seat and stamp it, and it stretches, and you can’t get it to go?” Holes bluntly replied “you cry a lot”. By April of 81’ Cox had an Ivy League Degree in making saddles and successfully co-authored 210 riding saddles as well as 360 pack saddles.

Next chapter: Montana - 3 Forks Saddlery. There, letters started coming in complimenting Cox on his seats, and the reality of his seeing his own name on the marquee began to materialize. He left 3 Forks before too long and did some ranch work for a guy in Madison Valley to earn rent money, but made it clear from day 1 that building saddles was the priority. Next came an opportunity to sell those saddles at a Western store on the four corners in Bozeman. And not much later, with 200 saddles to his sole credit, he moved into an old vet clinic building and things went gang busters. “You’re always wondering if you’re gonna starve to death when things go to shit. So I was surprised when the business kept coming”, says Cox. The Montana winter of 97’ didn’t quit. Or as he puts it, “the one that soured my ass”. That October he helped a friend sort replacement heifers and ween and ship calves. “There was 2 feet of snow and it was 21 below zero. On May 15th we still had all that snow in the yard with a whole lot more on top of it. I had enough”, Doug recalls with tangible disdain. In December of 2000 he and his wife Deb, closed on a house in Gardnerville, Nevada, where you’ll still find him today. They did all the moving themselves. Tools, leather, 10 horses, and every barn/house furnishing you can imagine. 14 hours each way. Over and over and over. That put him 3.5 years behind on orders with people calling wanting to know where their saddles were. He just kept plugging along and tinkering with better designs. Cox got very intense over the structure of his seats, asking tree makers to institute changes that would allow for necessary improvements. 911 struck a massive blow to the world, launching a political and economic roller coaster directly impacting his business. Amongst the obvious wreckage, big outfits were getting scooped up by mining companies, and kids didn’t want to cowboy anymore. Fewer cowboys equals less demand for saddles. In classic Cox fashion, he took the ride but didn’t spend too much time worrying. Instead, focusing on getting better, and really, that’s been his psychology all along. He knows the grandest peaks are always followed by a valley no matter who you are, and the only answer is to keep putting out exceptional products. “I ponder a lot of shit and wonder why the hell am I doing what I’m doing? And then you start to think back about how everything that you did taught you what you’re doing now, and that gives you the path to continue”. 

The full time saddle maker/part time philosopher has damn sure earned his loyal and diverse clientele. Everyone from the working cowboy to folks in Texas who never bother to ask the price of a custom Full Flower. His saddles have been shipped to countries like Dubai, Mongolia, Australia, and Canada, “but probably not all 50 states.” Advertising has never been a priority for Cox, trusting that his faultlessly functioning art will lead to word of mouth referrals. There’s one family in Montana that’s bought close to 20 of his saddles over the years, so imagine the conversations they’ve had with neighbors. He believes in taking care of people and appreciates unwavering loyalty. So if you’re buying a custom Cox, then chances are your package will arrive with a little something extra. That might be added stamping, a breast collar, or whatever else he feels like throwing in. After all his years in business you could count on a few fingers the number of clients he’s had trouble with, but they didn’t know what they wanted to begin with. One such customer who couldn’t tell a mare from a mule had the nerve to complain after receiving his custom Cox. So Doug spent months ripping it apart and building it back to the new abhorrent specifications. “Right before I was about to disconnect the phone in Montana, that son of a bitch called wanting to order another saddle”, he recounts with a chuckle. 

At 75 Doug is still pushing his art. After long days wrestling with leather he sits on the couch under a Bison mount, with sketchpad and pencil in a relentless attempt to crack the code on a perfect wild rose to elevate the stamping on his next saddle. When asked why, he stops, stares off for a while in contemplation, then says “it’s just my nature”. Cox wants to feel good about every final product leaving his door because he won’t sleep at night knowing you aren’t 100% satisfied, but that’s not the whole story. In the most humble way possible, with money and fame aside, he yearns to be the best. Your baseline Doug Cox saddle goes for about $4,500, and he’s happy to make that for anyone who asks, but the unconventional creator in him requires ambitious challenges. Doug has been inspired by so many of his predecessors and contemporaries over the years; Ray Holes, Jerry Holes, Billy Gardner, Don King, Merve Ringelo, and Al Stoleman to name a few. According to Doug, “Hamley’s put the best seats in saddles that ever was, but they never made anything fancy”. Visalia on the other hand, is top of the heap in his eyes because of their combination of functionality and stunning aesthetics. Visalia stopped making saddles in the 60’s, yet he still sees them on a pedestal as daily inspiration. “When you saw something you liked, you were a coyote. You just kept chasing it till you got it”, he says. That’s why he decided to make a Visalia style saddle that took up 3 years of his life. Mounting silver to the horn, gullet front, and swell caps alone took he and Ron Meuws (silversmith) three 18 hour days. Nobody asked him to build a $165,000 saddle full of silver and rose gold (currently for sale). It was purely an itch that demanded scratching. Doug genuinely cares about the art he puts into the world, regardless of whether it gets purchased or not. His cumulative life experience in and out of the saddle fuels an insatiable desire to create the perfect saddle. Of course this is a futile effort, but Cox will be the first to tell you that “insanity is cheap”. And as Bob Kelly once told him, “the day you make the perfect saddle, you’re dead”. On the other hand, if a guy like Doug doesn’t have something to shoot for, he’s as good as dead. 

I pulled into Doug’s house one day as another pickup drove off in a huff. Turns out that person had come to offer $50,000 for one of his bridal horses, which he promptly turned down. Why? “Oooohh…….I think a lot more of my horses than that” he said sentimentally. Driving by you’d never know what happens in the nondescript building that turns out world class leather products, and that’s the way he likes it. Interruptions are undesirable at best. The work is all that matters. If you’re lucky enough to get in, seeing the artist at play is something to behold. He’s the only one there, but you never think twice about who the owner might be. It’s Doug’s place and they have a relationship. One complimenting the other, almost symbiotically. It’s the Western version of a one man barbershop that’s organically and unknowingly grown over time. In winter months, the wood stove holds a perpetual fire that warms the walls adorned with hunting trophies, Charlie Russell prints, photos of saddles, memorable bronc rides, head stalls, breast collars, hundreds of hand tools, and a beautiful set of long horns. Piles of the finest leather here, there, and everywhere. Archaic leather equipment foreign to anyone outside his industry. Scattered saddles in various stages of completion - some made for fun, for customers, and others just to look at. The only soundtrack is a crackling fire, his grazing horses, and whatever Mother Nature decides to muster up that day. He’s locked in to the work with no need for entertainment. His eyes never divert from the leather when reaching for tools and you get the feeling he could maneuver through the impeccably cluttered shop blindfolded and never miss a beat. If you poke around too long you’re sure to stumble on a few revolvers and Winchester repeaters, loaded of course. His shop is exactly what you’d expect of someone that has spent a life in leather. As usual, Doug is currently back ordered on saddles for clients new and old, near and far. He’s in a good place - people still want a Doug Cox saddle. He jokingly baulks with frustration about being busy, knowing full well that’s all he wants. Then goes on about a new saddle he’s cooking up. A Mother Hubbard,which was a popular style in the 1860’s, but people don’t think about them much anymore. They are absolutely hellacious to build, even for a veteran with 923 saddles to his mark. “So, why”?, I asked. Again, he looks off for a while, then says with a grin, “just because”. 

If you’re someone who appreciates the heritage of the West — whether you’ve ridden the range or just admire it from afar — I invite you to take a look at my collection of cowboy photography prints. These are real working ranches, real cowboys, and real moments, captured with the same authenticity Doug brings to every saddle he makes.

Fine Art Western Prints

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Western saddle with lariat, rifle, and scabbard

Custom Western saddle maker in Nevada

The tools needed to make custom Western saddles

Doug Cox at work on a custom Western saddle

Intricate leather stamping on a custom Western saddle

Sewing leather for a custom saddle

Doug Cox creating a Western Saddle at his workshop in Nevada

Custom silver saddle

Leather work on a custom saddle

Details of a Western saddle being made at a workshop in Nevada

Behind the Scenes with Dolan Geiman | Western Art Studio Photography

Photographing the Creative Process of Dolan Geiman, Western Mixed-Media Artist

Dolan Geiman is one of those rare artists whose work feels instantly familiar—like something pulled from the backroads of the American West and stitched together with stories. I recently had the chance to photograph him in his Denver, Colorado studio, and am happy to share a few of my favorite images here, both to celebrate Dolan’s work and to give a glimpse of what it’s like to photograph an artist who’s built a career blending grit, storytelling, and Americana.

These photographs were shot as an editorial piece for a magazine in Denver, but it also adds to an ongoing personal series I started a while back photographing Western artists whose work I admire. The series has been a great experience that’s introduced me to a lot of like minded people. But I also feel a need to do this because I believe there should be more historical documents of the artists themselves, not just their work. And I always loved the cameras ability to take viewers behind the scenes of places they don’t get to visit themselves.

There’s a rhythm to photographing artists while they work - you’ve got to read the room, stay out of the way, and still find those moments that say something real. That was especially true when I photographed Dolan Geiman in his studio. His artwork - layered, textural, and deeply rooted in Western and Americana imagery—has a cult following, and getting to document his process was like stepping into a living collage. Dolan builds his pieces from found materials, salvaged wood, old signage, and vintage ephemera. His studio is a creative environment where the line between chaos and intention blurs beautifully. For those who are wondering, Dolan is a really nice guy that’s happy to chat and share his passion for creating art. Some artists are full of ego, but not Geiman. I thoroughly enjoy my time photographing him at work in his Denver, CO studio.

If you're a brand, magazine, or creative agency looking to tell the story of an artist—or any maker, craftsman, or storyteller through honest, documentary-style photography, I’d love to connect. Whether it’s a quiet studio session or a full-scale shoot in the field, I bring the same respect and curiosity to every assignment. Feel free to reach out if you’ve got something in mind - rob@robhammerphotography

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Behind the scenes photograph of Dolan Geiman making original art in his studio

Artist Dolan Geiman creating art at his studio in Denver, CO

Dolan Geiman sitting amongst the junk he uses to create art at his studio in Denver, CO

Artist - Dolan Geiman

Portrait of artist Dolan Geiman

Best Places to Fly Fish in Estes Park, Colorado

Estes Park Fly Fishing Photographs

Big Thompson Canyon

Whether you’re a Denver/Boulder local or just visiting the area from out of town, Colorado has incredible fly fishing for everyone! Only an hour and a half from Denver International Airport, Estes Park offers world class views and countless fly fishing opportunities. The hardest part is choosing which one!

The Beauty of Big Thompson Canyon

Big Thompson Canyon is not just a pathway to Estes Park but a destination in its own right. The canyon's river winds through rugged terrain, with clear waters that are perfect for fly fishing. The natural beauty of this area provides a jaw dropping backdrop for a day of fishing, where the only sounds are the rushing waters and calls of local wildlife. At any point of any day you’re likely to catch sight of elk, deer, and other wildlife that make the Rocky Mountains their home. Unlike a lot of other locations that require long hikes into the backcountry, this section of the Big Thompson River is not only stunning, it’s also easily accessible. There are endless pull-offs on Route 34 (Big Thompson Canyon Rd) that grant you access to peaceful isolation just a few minutes from your truck. It’s one of those places where you can easily spend a few hours to get your fix, then be back in time for lunch or dinner depending on the time of day. And with so much access, there’s no need to be fishing around other people. Just the drive through the canyon alone is worth the effort!

If you’re in need of a fly fishing guide for a day on the Big Thompson River, contact Front Range Anglers. They’ll take good care of you.

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Estes Park Fly Fishing

Winter fly fishing - Estes Park, CO

Winter trout fishing in Colorado

Rainbow Trout - Estes Park

Fly fishing in the snow

Winter fly fishing in Colorado

Colorado Fly Fishing

Mallard

Removing hook from Rainbow Trout

Black and white photo of fly fishing in Estes Park

Abstract river photograph

Leadville Colorado Wall Art Prints – Fine Art Photography

Leadville, Colorado Wall Art

Photographs of The Two Mile High City

Sitting at 10,151 ft above sea level, Leadville is one of Colorado’s more unique towns, and that’s saying a lot for a state with such incredible mountain culture. Not a big place but it’s still racked up a number of nicknames over the years: The Two Mile High City, Oro City, Cloud City, and Slab Town. That alone provides a great hint into Leadville’s rich mining history that began in 1859 during the Pike’s Peak Gold Rush, and that hunt for gold, silver, and lead continued for 130 years. Visiting the small town today, you can still feel what Leadville once was, and that’s a lot of the draw. Only 2 hours from Denver, but it feels a world away, with unprecendented views of the surrounding mountains and no crowds. The architecture is gorgeous and well preserved in a lot of cases like the Delaware Hotel which first opened in 1886. Of course the local jewel is the Silver Dollar Saloon. You’d be hard pressed to find another like it anywhere in the country. Inside you can feel the years (established 1879), and that feeling only gets better once you learn more about it’s history with noted regulars like Doc Holiday! The most surprising part of Leadville is the fact that it has delicious food! I’d recommend checking out The Silver Llama Market and Eatery for breakfast and Treeline Kitchen for dinner. They are conveniently located right next to each other and Treeline has a great rooftop patio that’s open in the warmer months. Mineral 1886 also has good food for lunch and dinner.

Historic Buildings and Local Flavor

Walking through the neighborhoods is always fun because you’ll get a feel for daily life, and Leadville has some colorful houses that are intricately shingled. If you are looking for more of a workout, the Mineral Belt Trail (12 miles) can provide year round recreation with top notch views of the mountains and will take you up close to some of the old mining claims. Walking, running, and biking in the summer. Fat biking and cross country skiing in the winter. There is a nordic center just outside of Tennessee Pass and endless access to backcountry skiing/snowboarding from all routes in/out of town. And If there’s any reason this little hideaway would sound familiar, that’s because it’s home to one of the hardest mountain bike races in the country - The Leadville 100! That and Melanzana, which is supposedly on a year waitlist for hooded sweatshirts. Perhaps the most redeeming quality about their main drag though, is you won’t see a single chain restaurant or business. They are all locally owned and there is no mistaking that fact! Leadville is a gem of a place that you hope will retain it’s small town charm for decades to come. If you’re looking for a fun getaway with resort crowds, check out Leadville for a couple nights.

Get Your Leadville Print

If you’d like to have a little piece of Leadville to remember your trip and brighten your walls with Colorado culture, contact me directly about photography prints and custom framing options for your home, office, or commercials space. These photographs are also available for editorial and commercial licensing.

Leadville, Colorado Wall Art

The Golden Burro Cafe - Leadville

Black and white photograph of the Silver Dollar Saloon in Leadville, CO

Photograph of the bar inside the Silver Dollar Saloon

Leadville, CO

Manhattan Bar - Leadville, CO

High Mountain Pies - Leadville, CO

Colorful house in Leadville, CO

Leadville Saloon

Tile floor in the Leadville Saloon

Pool table and taxidermy inside the Silver Dollar Saloon - Leadville, CO

Beer - Leadville, CO

Western Lifestyle Photographer

Capturing Authentic Western Apparel in Action

Photographing Real Cowboy Gear at Work

It’s no secret that the daily life of a cowboy is demanding. Early mornings that start in the saddle, turn into late nights, all while dealing with the country’s harshest weather and big, wild animals that have an opinion. So the gear they choose to wear has to be just as tough as they are. Through the lens, we highlight real cowboys in real western apparel that holds up to the rigors of ranch life, offering a vivid, authentic showcase perfect for brands looking to demonstrate the quality and style of their products.

Our photography captures working cowboys on the legendary Silver Spur Ranch in Colorado as they gear up in rugged western apparel, blending traditions with contemporary fashion. From the intricate designs of the leather boots to the timeless durability of denim shirts and wool jackets, each piece is tested by the true dnecessities of cowboy life. It's here, among the dust and cattle, where western brands can see their products come alive, telling a story of authenticity, resilience, and style that truly resonates with their target audience. Let's collaborate to bring the essence of your brand to life in settings that inspire and appeal to your customers - rob@robhammerphotography.com

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Shop Western Photography Prints

Silver Spur Ranch - Colorado

Western lifestyle photography

Calving season on a Colorado cattle ranch

Cowboy gear photographer

A cowboy caring for a newborn baby calf

Black and white portrait of a Colorado cowboy

Authentic cowboy photography

Cattle herd

Colorado cattle ranch

Black and white cowboy photograph

Bottle feeding a baby calf

Cowboy counting ear tags

Colorado cowboy riding his horse through thick country