Western Horseman Magazine

Cowboy Photography - American West Wall Art

Western Horseman Magazine - Diamond A Ranch

The Diamond A Ranch is the largest cattle ranch in the Southwest at 725,000 acres. That’s a hard figure to wrap your brain around, so imagine your daily job is working cattle on that stunning piece of land!? Cowboys are tough people, but you need to be a tougher breed altogether for that lifestyle. Over a few different visits I got to know a number of the people on the Diamond A crew and am honored to call a few of them friends! The owners (Rick and Sarah Kieckhefer) showed me great hospitality as did all of their cowboys/cowgirls. It really is an honor just being aloud on these historic ranches, so I couldn’t be any more proud to to share this story that was recently published in Western Horseman Magazine - a publication that’s been a staple in the cowboy world since 1936! To read the article go pick up a copy of this issue or go to www.westernhorseman.com

Click here to see more of my cowboy photography

Reach out directly if you’re interested in wall art of any of my cowboy photographs - rob@robhammerphotography.com

Cowboys on the Diamond A Ranch in Arizona
Photograph of cowboys on the largest cattle ranch in Arizona

Doug Monson - Western Charcoal Artist

Best Western Charcoal Artist - Doug Monson

Doug Monson is a western charcoal artist that lives in Afton, Wyoming in the Star Valley. While his his entire life has been dedicated to art, it wasn’t until recently that full time success became a reality. Nowadays you can find his beautiful charcoal drawings of cowboys and wildlife hanging in his own Western Skies Gallery, Jackson Hole’s oldest fine art gallery - Wilcox Gallery , and in the homes of fine art collectors all over the world .

Its wild to look back and see how certain parts of your life come together. I make it a point to do as much backcountry snowboarding in Jackson Hole, WY as possible. The terrain and snow quality is just top notch. This past winter we were up there during a particularly cold storm which got down to -30 for 3 days in a row. The excitement overtook me, as it often does, and I forgot to treat my diesel pickup truck with the proper chemicals that would keep it from freezing. So, it froze. Literally. To the point that it was towed to the dealership in order to thaw out in their heated garage. Aside from costing a lot of money to fix, it also kept me in Jackson for longer than expected. My friends went out riding while I dealt with the truck, leaving a large portion of the day open. So I walked around town to all of the famous galleries like Wilcox Gallery, Horizon Fine Art, Gallery Wild, Heather James Fine Art, Altamira Fine Art, and Brookover Gallery, to name just a few. Jackson Hole has a LOT of fine art that can keep just about anyone happy for days at a time. I’d been meaning to tour the galleries anway, in hopes of finding a place to sell some of the work from my photography series on Cowboys. So having that day was an unwanted blessing in disguise. And the inspiration you can get from seeing so much great work can be addicting for any kind of artist.

By the time my truck was ready I was in a rush, which caused me to take the quick way home instead of taking several days sniffing around for photographs. The “quick” route took me through Afton where I stumbled upon Western Skies Gallery. Still having the gallery bug I went in and was greeted by Doug Monson, who I soon learned was a charcoal artist and the gallery owner. Upstairs above the gallery is his working studio. I was in awe of the space and asked if it would be ok to make some photographs while he was working. Doug obliged and we would up spending an hour or two just hanging out talking while he drew and I made photographs. I had no idea what would happen with the images, but was inspired by the space and his work. A few weeks later it occured to me that it would be fun to write an article on Monson, and here we are 10 months later with a feature in Western Art Collector Magazine!

Western charcoal artist Doug Monson at work on a drawing in his Afton, Wyoming studio.

Doug Monson drawing a cowboy with charcoal at his studio in Afton, Wyoming

The beautiful fine art of western charcoal artist Doug Monson

Duck Decoy Carver - Zach Benson

Famous Duck Decoy Carver

The world of waterfowl hunting is a niche that gets ever smaller when you start looking at world class duck decoy carvers. Like any fine art, the elites are in narrow company. Zach Benson is in that group. He began carving in college out of not being able to afford a decoy spread to hunt over. Years later he is known the world over for his one of a kind works of art. The process starts by harvesting cedar trees from his own property. That wood is then milled and laid to dry in his barn. After about a year it’s ready to use, at which point he hand carves each bird, then lays layer upon layer of oil paint.

WHAT MAKES A WORLD CLASS DUCK DECOY?

Early on Benson competed in shows like the Clayton Decoy Show and the Oregon Waterfowl festival. Both of which were great learning experiences, but he quickly learned that they came with too many rules. Art of any kind is subjective, but awards weren’t necesarily given to the best decoy, rather to the one that followed the rules. It did leave any room for creativity. The “winners” were birds that checked every box. So competing didn’t last long for Benson. He wanted to create art, not cookie cutter ducks. Now, the look he is so famously known for is an angry duck in an uncommon position. His ducks have attitude. They are one of a kind. So you’ll still see him year after year at the Clayton Decoy Show in Ohio, but not on the competition floor. Like a lot of other carvers, he shows newwork out of his hotel room - where people are encouraged to walk around room to room with a beer in hand. Aside from that, you have to follow Zach on Instagram, where he is very low key, sharing new work in his stories. And if you wait to long on purchasing his latest piece, it will already be gone.

Check out the article below which was published in the most recent issue of Wildfowl Magazine. You can also learn more about him from the VIDEO we made a short while back with Benelli.

Photograph of the best duck decoy carver

Famous duck decoy carver Zach Benson

Boots O'Neal

Boots O’Neal - Cowboy - 6666 Ranch - Texas

Being a photographer has been a great pleasure and an even greater adventure. It’s taken me to some outstanding parts of the earth and allowed me to photograph some of the most famous athletes on it. “Who is your favorite?”, has always been a common question. Until recently, that was an impossible question to answer, now the final is Boots. Boots O’Neal is a 90 year old cowboy on the 6666 Ranch in Texas. A more inspiring human you will not meet. To learn more about him continue reading this piece I wrote that was originally published with Wrangler.

Click here to see more of my cowboy photography

Photograph of legendary Texas cowboy Boots O'Neal on the 6666 Ranch

Boots O’Neal on his horse working cattle in the corrals at the 6666 Ranch

Imagine for a moment, waking up in the hospital with 12 broken ribs, a punctured lung, broken vertebrae, and a bleeding brain. Now imagine that pain at 82 years of age. Cal Ripken Jr. was Major League Baseball's “Ironman”. Earning the nickname after playing 2,632 consecutive games. Put those end to end and you’ve got over 7 years of straight baseball. An astonishing stat and impressive feat only possible for a human made from the toughest stock. No offense to Mr. Ripken, but that doesn’t hold a candle to the Texas legend - Boots O’Neal, who's been horseback for the better part of the last 75 years. Despite the aforementioned injuries, piled on a lifetime of other broken body parts, the now 90 year old cowboy shows no desire whatsoever to retire. You’d think someone that’s lived in such a way would have a face much resembling their saddle that’s endured as many miles. Instead, O’Neal’s is endearing, and fixed with a perpetual smile that causes you to do the same. The kind of guy that inadvertently makes you a better person just by being in his presence. 

While we’re on the stat train, let’s dole out a few more just to drive the point home, what an outlier he truly is. The average retirement age in America is 62. The average age of death is 78. And a cowboy will normally take home about $31,466 a year. At a time in life when most folks are either dead or in a nursing home, Boots wakes up every morning with excitement to saddle a horse and work cattle alongside fellow cowpunchers that could be his grandkids. People just aren’t built like him anymore. Not a partier, but it would be safe to put O’Neal in the Keith Richards class. Immortal freaks, in the most beautiful way possible. 

Portrait of Boots O'Neal - Cowboy on the 6666 Ranch in Texas

Portrait of Boots O’Neal

Cowboys in general are a strand of human unlike the rest of us. Born not made. And from birth, it was obvious O’Neal created a category all his own. Growing up in the 30’s he was one of 8 children living in a home without running water. The bathroom was an outhouse, and the bath, a tub filled with water and placed next to the kitchen oven, door open for heat. After 3 or 4 of the kids took their turn, that water was tossed outside to calm down the dust. He was never much for school. The only thing he excelled at was boxing, but usually just looked forward to running off the bus and into the barn to saddle a horse, only coming in when his mother hung a white sheet on the clothesline - their version of a dinner bell. 9th grade was as far as he cared to go, leaving home in August of 49’ at sixteen to cowboy for the JA ($90/week). That job found him on the wagon, sleeping in only a bedroll 6-7 months at a time. A lifestyle that fit him just fine. 

Before we go any further, it would be appropriate to define what makes a real cowboy. The loud mouth sporting a big black hat getting in drunken bar fights makes for good movies, but that’s about it. According to the man himself, a real cowboy is polite. Smooth. Talks gentlemanly to ladies and is good under fire. Dusty Burson (32) - foreman on the Four Sixes and close friend to Mr. O’Neal said it best - “What’s a cowboy? Well, they’re good people. Honest. They do what they say they’re gonna do. If they tell you they’ll be there to help, they’ll be there, and they’ll stay to the end.” If that statement made its way into Websters, the following words should read “also see Boots O’Neal”. 

Photograph of Boots O'Neal branding calves on the 6666 Ranch in Texas

Boots O’Neal branding calves in the early morning on the 6666 Ranch in Texas

Photograph of a famous Texas cowboy

Boots O’Neal’s custom spurs

After the JA, he continued punching cows in different places including a quarter century stay at the Waggoner Ranch. All the while racking up a collection of buckles and saddles from bronc riding in rodeos all over the country. Word is he’s still pretty sticky. A wife (Nelda) also came into the mix as did a daughter (Laurie). Despite being opposites, Boots and Nelda remained in love for 44 years until her passing. She was a proper lady that enjoyed being in town but fully supported his innate need for open country. As their relationship grew, his career did along with it. The 50’s’ found him in Korea with the Army, where he stared out at vast foreign valleys, daydreaming about them filled with 1000 steer, and wondering why in the world they didn’t have any. After two years he was back on a ranch working hard to become a Peace Office and Brand Inspector at a time when cattle were still shipped by railroad. Along with the coveted title came a doubled salary, new clothes, fancy truck, and expense account. A novelty quickly erased by jealousy every time business on a ranch forced him to watch cowboys ride away on horses while he sat in a truck headed back to the office. “I just wanted to punch cows” he said. So he gave back a job that most in the industry would kill for and reclaimed his true love, working cattle from the back of a horse. 

Love is what it takes because the life of a cowboy asks a lot of a person, physically and emotionally. “ Even when I know tomorrow is gonna be a bad deal, and they’re predicting snow, and the wind coming out of the north blowing, and we’re gonna ride straight into it in the morning, I just look forward to getting out there and freezing my tail off” says O’Neal. How many 90 year olds have you ever heard say something like that? Burson again offers some insight - “he wakes up thinking I’m going to be happy today. He doesn’t let circumstances dictate happiness.” Dusty was the one who found the 82 year old O’Neal alone in a pasture, after the horse wreck that would have ended any mortal man. Even if it didn’t put him in the ground, the pain alone would cause a rational person to take a brush with death as a sign and say, ok, it’s been a good run. Burson visited him in the hospital shortly after and recalled the nurse asking why he kept lifting his left leg up in the air. Obviously, it was to keep the mobility of toeing a stirrup. “That’s how bad he wants to be a cowboy when he grows up” says Burson. 6 weeks later, he was back on that same horse and continues riding him today.  

Black and white photograph Boots O'Neal and Charlie Ferguson talking in the chuck wagon tent on the 6666 Ranch in Texas

Boots O’Neal talks with chuck wagon cook Charlie Ferguson on the 6666 Ranch in Texas

Seems like it came naturally for Boots, but don’t get it twisted, any good cowboy is a student of the trade. Always figuring out a way to get it done better without asking for recognition. All of the best cowboys Boots ever knew and patterned himself after, accomplished unthinkable feats even Taylor Shariden couldn’t script, in the middle of nowhere with only a few people to witness. Another friend and Texas icon Tom Moorehouse (72) is quick to point out “I’ve known Boots almost all my life, and anything I’ve got to say about him is good”. From the outside you might think that cowboying is a physical game. Only for the young. Not so. Sure, you need the gumption to handle extreme physical abuse and relentless weather that doesn’t end after an eight hour shift. But Moorehouse says the thing that separates Boots from the rest is that he’s a “keen observer”. He continues “my dad used to say a real cowboy is somebody that pays attention. Now that doesn’t sound like a good story, but that’s the truth.” There is so much that can go wrong when you’re working with 2,000+lb animals and navigating remote unforgiving terrain. One mistake could mean the end. 

We’ve already established that Boots is an enigma, but for arguments sake, let’s say he got lucky? Somehow the body that’s been broken more times than anyone can count, managed to miss the big one. Even with luck, longevity like his doesn’t just happen. And living on a wagon, eating ranch food, wouldn’t make any blueprint for “healthy living”. Cowboys require hearty meals to get them through their overly demanding lives. So It should be no surprise that beef has made its way to Boots’ plate just about every day for the past 90 years. Along with the beef came biscuits, gravy, and potatoes. Breakfast was peanut butter and syrup sandwiches. All of which goes against everything you’ll read from the so-called nutrition experts. Although pinto beans, prunes, and raisins are foods he now tries to consume regularly along with said beef. The fresh fruit and vegetables he also concentrates on just wasn’t a thing back then.”It wasn’t until I got up in years that I ever worried about putting something bad in my body.”  A chuckle was the only answer given when asked about exercise, but “I’ve never been short on sleep” says O’Neal. Which he believes has been the holy grail to his success. For as long as he can remember, even as a young buck, he’d turn in early, ensuring 8-9 hours of shuteye every night. These days he says “it takes me longer to rest than it does to get tired”, but it becomes obvious shortly after meeting him, that modesty is one of his many virtues. He’ll try and claim that he can’t do this, that, or the other. Then he slips into the saddle and the truth is revealed. “It takes a whole crew to keep me going”, he says. Again, modesty perfected. Perhaps his days aren’t spent aboard wild broncs, but he always gets the job done with grace, and his expertise couldn’t be matched anywhere in the world. Ironic for a guy who’s never considered himself very smart. What Boots has can’t be taught. He’s got a PHD in punching cows. Anybody will tell you he’s on the Mount Rushmore of the cowboy universe, but who the hell else could be up there with him? Is there another human that’s punched cows for almost 8 decades?  “It’s amazing what all he’s got stored up inside him that someone oughta have recorded” Dusty says. A lot of people with such knowledge and history can become high and mighty. Not Boots. He’ll let you mess up, then suggest, in a non degrading way, how to do it better. He knows we’re all in this thing together.

Photograph of a famous Texas cowboy

Boots O’Neal offloading his horse from a trailer on the 6666 Ranch in Texas

Photograph of Boots O'Neal dragging a calf to the fire for branding on the 6666 Ranch in Texas

Boots O’Neal roping calves on the 6666 Ranch in Texas

If you think about the human condition and what we’re all after, one of the key ingredients is professional happiness. Everyone wants to spend their waking hours doing something they love. Why is that goal so elusive, so rare? A million dollar question. Even harder than finding that happiness, is keeping it. Somehow Boots O’Neal has managed to do it at one of the most physically demanding jobs on the planet and continues today at a very high level. Maybe the how doesn’t really matter. Maybe we should just use Boots as inspiration to be better humans. The iconic Four Sixes has been his home for the past 26 years. Panhandle, Texas is the closest town to their northern division where we met. The town sign fittingly reads “People of Pride and Purpose”. Just like the dictionary, there might as well be a picture of Boots next to that slogan. He figured IT out and still can’t get enough. He doesn’t need to work in a monetary sense. He wants to work, although it’d be a stretch to hear him use a four letter word like that. Even on a rare day off, he doesn’t look forward to a hobby or a vacation. Instead he’ll watch a rodeo on television or sit in a chair outside his bunkhouse apartment to watch the remuda come in. A sight he says, of 50 horses all running together, is one that most people will never get to see. Bob Dylan wrote a song on this very topic using only 17 words:  

“All the tired horses in the sun…..”

The guy has done it all, taken the beatings, and asked for more. He’s been inducted into every Hall of Fame a cowpuncher could possibly be associated with. Somehow that doesn’t seem enough of an honor though. Boots should be everyone's hero. He’s a national treasure and outstanding human being.  We should all strive to accomplish in our own lives what he has in his. Burson says “Yeah, he’s a cowboy, but he wants to be one tomorrow too”. If more people had that attitude, the world would be a better place. 

We were just about done talking when Boots’ story paused abruptly . A mischievous smile came to his face and the words stopped flowing. His attention fixed on one of the guys in a nearby corral working a young horse that was fixing to blow up. The grin stayed as he reminisced “I rode a lot of bucking horses in years past. I could get on a horse like that, just gather that thing up, and he’d be 3 feet in the air when I got that right stirrup”. Boots is a Christian. If he weren’t, and followed a religion believing in reincarnation, he says that’s what he’d want to come back as, a bucking horse. At 90 years young he knows precisely how good his life has been and isn’t scared of the inevitable. In a very matter of fact way he spoke about his funeral, being buried in the cemetery on the Four Sixes, and the speech by his friend Joe Leathers. When asked what he hopes Joe will say, Boots paused then replied humbly with a far off stare ”He was an honorable man. Done what he said he would. And didn’t mistreat his horses” 

Portrait of Boots O'Neal the famous Texas cowboy

Portrait of Boots O’Neal

Silhouette of a cowboy on his horse at sunrise on a cattle ranch in Texas

Boots O’Neal on his horse at sunrise on the 6666 Ranch in Texas

Contact me directly if you’d like a print of Boots O’Neal - rob@robhammerphotography.com

Los Angeles River Fly Fishing

Los Angeles River Fly Fishing

Urban Fly Fishing for Carp - Photography

It’s hard for a lot of people who have never been in LA to believe that there is a river running through the city. Even harder to believe that said river actually holds fish and people are willing to stand in the water to try and catch them! Here is proof! This particular day was with my buddy Tyler Vanosdell of Mission Bay Fly Fishing and Lino Jubilado - aka the Mayor of Los Angeles River fly fishing. We had a great time, but it was one of those days on the water where you do everything right but it still doesn’t add up to anything. Perhaps that’s what keeps people coming back? Go pick up a copy of The Drake Magazine to read the article.

Click here to see more of my fly fishing photography

Photograph of a fly fisherman casting into the LA River

Los Angeles River Fly Fishing

American West Photography

Cowboy Photography - Prints

It’s always great to get press on your work, especially when it’s a big outlet like the Daily Mail. If you want to go on “followers’, they come in at 22+million on Facebook, whatever that means. Either way, I’m honored to have them do a feature on my cowboy photography - a project I love. It’s also quite young compared to some of the others like Barbershops of America or American Backcourts, which have both been going on now for ten years!

Click here to see more of my cowboy photography. Or contact me directly if you’re looking Western prints / wall art for your home, office, or commercial space.

Al Swanson - Master Wood Worker

American Woodworker and Craftsman

Al Swanson - Helena, Montana

It’s been such a pleasure working with and getting to know Al Swanson. If you’re in the fly fishing world, and don’t know who he is, take some time to learn about his work. It’s exceptional. And the way we came to know each other makes this even better. I’m honored to share his story with words and photos in the latest issue of the Drake Magazine. Here is the unedited version of that story:



Losing a parent is never easy, and really there’s only one acceptable way for it to happen - old age. Al Swanson lost both of his to cancer by the time he was 44. Seven years later he himself was diagnosed with squamous cell carcinoma of the right tonsil. A baneful hand to be dealt even for the most optimistic of people. Yet optimism is all you get from Al. He’s never the victim. If any of his dialogue on life’s recent catastrophe ever deviates from the positive, you can only go as far as putting it into the “matter of fact” category. 


Swanson grew up on a farm in Portland, Maine in his fathers workshop surrounded by hardwood trees where they would make necessities out of necessity. In his early 20’s dad bought a sawmill which helped fuel the creative fire, but his sights were set on golf course management. He eventually found employment on a course yet couldn’t resist spending most hours building with wood (not part of the job description). Later a family friend took Al under his woodworking wing, at which point it became obvious he had found his calling, and the stage was set. 1995 was the year things took shape in a tuna can of an apartment where he turned the 10x12 bedroom into his first workshop making side tables, checker, and charcuterie boards. Not huge money makers, but each one a learning lesson that would afford a new tool for the quiver and unhappy neighbors.


1996 found him 2,100 miles west in Montana doing odd and ends carpentry for a private client where Big Sky Country genuinely flowed into his yet cancerless body. As romantic as the country was, a year or so passed and he realized “home is back there” - speaking of the east where most of his family and friends still lived. 98’ brought him again back to Helena for a visit with his sister. Almost immediately after that trip “I packed up every tool I owned and drove out there with all sorts of piss and vinegar to help me figure it out. I can make a mark out there. Nobody is doing what I’m doing in Montana.” Turns out that piss and vinegar did the trick. The work improved exceedingly over time and began getting noticed, with each piece sold leading to bigger projects and higher paying clients. His road was also paved with plenty of discouragement as every worthwhile venture is. Nevertheless by 2006 he had a showroom/gallery space in downtown Helena highlighting his striking one of a kind furniture as well as paintings by other local artists he personally invited in. Business was boomin’. Al’s work was being shipped to customers all over the world. 

Back east Al had done some traditional ocean fishing for striped bass and such. In Montana “everyone was fly fishing”. He was taken with the sport, as well as the magnetic beauty of the storied rivers, and thus learned to cast. Al was in. All in. One day he noticed his guide friends picking up rich out of towners from the hotel to go fishing and wondered “How could I give them a little piece of Montana to take home?” From that the idea was eventually born for the now patented and coveted Al Swanson exotic wood fly boxes and rod holders inlaid with sophisticated fly/fish patterns made from crushed stone, metals, Abalone, and Mother of Pearl.  Although it took quite some time and even more headaches to actually get the ball rolling. The products that now make up 60% of his business were ultimately sent afloat by a chance encounter in 2014 with a customer Al almost turned away when he asked him to fix a mangled net found at the Brimfield Antique Fly Market in the Berkshires (Massachusetts). The shop was so busy keeping up with custom furniture orders that fly fishing products weren’t even a thought. Yet he couldn’t say no to the stranger passionately pleading for the net he hoped could be a special gift for his son. “Do you know who that is?” an employee asked Al afterward. Enter Perk Perkins - CEO of a little fly fishing company called Orvis. “Lucky for me Al is an artist, so he gets tempted by unique things'' -says Simon Perkins (the son and current president of Orvis) of the beautiful rebuilt net he went on to use 100 days a year for 8 years of guiding on the Smith, Blackfoot, and Missouri Rivers. Where he “beat the hell” out of the net as a walking staff, crow bar for dislodging his drift boat from rocks, and netting incalculable numbers of fish. Ironic considering the initial reaction to his fathers gift was “I can’t use this. It’s too nice”. Saying yes to the net ignited an organic relationship between Al and a company that shared a high commitment to quality and a synergy of beliefs. At that point Swanson and Simon weren’t close friends, but Helena is a small community, so they ran into each other at the Blackfoot Brewery, poker games, concerts, and of course, the river. So later on when Al approached Simon with the first rendition of the fly box, it was a no brainer. “We loved everything Al stood for. His art and attention to detail, the story telling nature of the work, love of fly fishing, and his understanding that the sport connects you to the land” said Simon. Of course with model names like “The Blackfoot” and “The Missouri” they told stories specific to the Montana fisheries that Orvis naturally wanted to share. Perkins said “My dad loved giving unique gifts, which translated to the company’s cultural desire to curate unique products for our customers.”  In 2016 Orvis ordered 500 boxes from Swanson to be featured in their holiday gift catalog. Swanson Studios had neither the inventory or knowledge to fulfill such an order, but he figured it out and that relationship is still alive today. 

January 2019 life started getting weird during his son Gabriel’s hockey trip to Canada when a nagging sore throat came on that just wouldn’t quit. Back in Helena he had a biopsy done which came up negative, “but I didn’t believe it” Al said. His suspicions were confirmed after another biopsy at a facility in Missoula showed an isolated tumor in the right tonsil. Filled with ominous thoughts of his parents fate it was imperative he quickly make one of two choices: do the operation to remove the cancer or deal with the hell storm of chemotherapy and radiation. He chose option one and in April of that same year a Davinci Robot removed all the poison from his body. Or so he thought. “One year to the button a familiar pain came back that totally freaked me out”. Sure enough, a PET Scan showed a plethora of microscopic tumors that could only be cured by option number 2. The first go round wasn’t so bad, but now he was dealing with treatments to the head and neck that cause some of the worst pain a human can endure. “All the things you take for granted like talking, eating, drinking, and breathing are excruciating. They cut the living shit out of me and turned my brain into mashed potatoes.” This all occurred during the first major COVID shutdown, so not only did Al have to drive himself to the hospital, he wasn’t allowed to have any visitors. Alone is bad company when you’re falling down a black hole. Eating was no longer a matter of need, it was a matter of can’t. The pain was too much, so he went from his fighting weight of 201 down to 151 in ten days. Every waking hour was spent  wondering if he had any kind of future, while also facing the reality of not being able to single handedly run a business or take care of his 13 year old son while a glacial mountain of hospital bills piled up. “If I don’t work, there’s no money”. Month after agonizing month passed of eating through an IV, steroids, opiates, vomiting, radiation burning his body from the inside out and “not knowing what tomorrow is going to bring until it comes. Then you wake up and realize all it’s brought is pain”. That was his immediate and unavoidable truth. It’s also where optimism comes into play. “I decided I wasn’t going to sit there and let it beat me. I was going to surround myself with awesome people, and awesome people showed up.” The first ray of sunshine came in the form of a cardboard box delivered to his doorstep. On it was a hand drawn smiley face and inside was a white canvas rod tube personally autographed by Simon and his entire team. Along with positive vibes that tube also housed a brand new Helios. Not long after his dear friend Mary Hibbard came to the rescue. She had the idea to start a fundraiser for Al and said “we’re doing it and you don’t have a choice”. Swanson has never been the type to want help so this became added discomfort to his every day. Turns out though, when you spend 25 years selflessly giving to your community, that same community jumps at the chance to give back. Mary did the thing right. They shut down the streets for a band, auctioneer, food, and over 1,000 people showed up that collectively raised over 70k for Al.

This is where I come in. A photographer and writer on a trip with my wife and dog. Mojo and I drove from San Diego. She flew. After a morning skunk session on the Spokane River we popped in a Coeur d’ Alene art gallery. The kind women working there looked at my “Mission Bay Fly Fishing” hat and asked if I was a fly fisherman. Not wanting to be hassled into buying one of their arresting Mel McCudden paintings I said “yes, but I’m not very good”, and kept moving. She followed and inquired if I ever heard of Al Swanson. I hadn’t, but that was where the conversation took a turn and led to me drooling over images of Al’s rod holders on the computer behind their front desk. Before she could talk me into pulling my credit card out, I left  with two thoughts - it would be an honor to own some of his work that seemed more fit for a museum than the river, but also that it would be fun to shoot a story on Al in action at his workshop, wherever that might be. After a few days in Idaho we drove on to northern Montana and Glacier National Park. Fall was in its prime. Everywhere you looked nature was putting on a show. Colors. Wildlife. Rainbows. Sunshine one minute and snow the next. Needless to say we didn’t want to leave when the time came. Nevertheless, our reluctant trek started down to Bozeman where Emily was scheduled for her return flight home. After 3 or 4 hours of driving through Montana’s majesty all 3 of us needed to stretch our legs and eat some lunch. So we pulled off The 15 into the next town that just happened to be Helena. Aimlessly walking by several quaint storefronts my eyes looked up just long enough to notice a large poster with the headline  “Al Swanson - Charcuterie for a Cause” - aka the $70,000 event. It was all too much to ignore, so I sent Al an email. A week later we spoke on the phone for about an hour when he candidly shared his transmigration of the past few years. Before knowing the destruction he’d been through I just wanted to document him at work to be able to show others his art. After our talk it was obvious that more good could be done by sharing his story with the fly fishing community. 3 weeks later I was on a flight to Helena. December 1, 2021 we met at a local bar, came up with a plan over whisky to shoot the next day at his shop, and the following on the river. That next morning arrived quickly with a text from Al “not sure what’s wrong with me, but I think I need to go to the hospital”. My responses were unmatched. Not knowing what to do I went to the shop where his one full time employee and CNC master Patrick Sever was already at it along with Jeff Miller- a long time friend and former employee who dropped his life in Arizona to fly up and help keep the shop moving (for free) in Al’s absence.  Al and Jeff met in the early 2000’s when Jeff was living in Helena. ”He came to town and I had never seen anything like his work. What he was doing is unsurpassed”. They had a few conversations at the gallery over the next couple years, but it wasn’t until Jeff’s wife bought him a workshop with Al that their relationship really took hold. Miller was retired by that point and had lots of extra time to spend on his love of woodworking. So he started helping Swanson out with deliveries and the less crucial furniture tasks until his skills were up to par. “Al is a wonderfully talented guy and generous to a fault. For an artist of his caliber, he’s incredibly open with his knowledge” says Miller. He also stressed how much Al cares about the final product. “If it’s not right, it’s not going out the door”. A few hours later he confirmed that Al was in the hospital but that was about all he knew. I spent some time making images at the shop, which from the outside, is quite inconspicuous. Any passerby would have no idea that world class wooden art is continuously made and shipped from something so nondescript.  After a bit of shooting I left not knowing what was ahead for Al who was scheduled to have another test in 2 weeks to determine if the cancer had come back. A month went by until I heard from him again. “That was the sickest I’ve ever been” he said of the day we were supposed to shoot at his place. He had a copious amount of healing still to do. 

Late January 2022 I was headed back up to Montana for another story not far from Helena and text Al to see if he was strong enough for some action on the river. “It’s full on winter here. Windy as hell and freezing cold………whatever, I can handle it”. Couple days later we met in front of his house at 6am where I jumped in his truck on the way to the Missouri River and asked “How are you?” “It’s been a journey!” he said with that same positive and matter of fact inflection. There was almost a hint of humor in there too. Things were changing for the better. Sunrise wasn’t for almost two hours so all we had was conversation about what happened since our brief visit in December, including the debauchery leading to his hospitalization that morning. A battery of medication that didn’t play well together including a daily steroid (Prednisone) mouth rinse to help with the open lesions and ulcers prescribed by an outside doctor unbeknownst to his inhouse team. After taking it for months he was told to stop, but it’s not a drug you can quit Cold Turkey. His body reacted, losing total function in his legs and arms while laying in bed, barely summoning the strength to text his son for help. It was a fluke that his son was home at all that day. Al regained consciousness inside a CT Scan where it was determined he had acute adrenal failure, then admitted to the hospital for an extended stay. Al’s insides were once again shattered but he had dodged another bullet. Luckily the problem was promptly addressed and he was set on the course of healing. If not, there’s zero doubt that would be the end of his story.  

For a Montana winter it was a pretty balmy day at 30 degrees. Yet plenty cold enough for the feeling in my hands to go away after just a few minutes of shooting. Al didn’t complain though. He just slipped fluidly into the near freezing river and began casting with the grace of someone half his age whose body didn’t spend the last three years in purgatory. He hadn’t seen a river in months, let alone stand in one. Science just wouldn’t allow it. Yet there he was, back home in a sense, finally doing something he loves in the very same place Lewis and Clark once stood in 1805. And as long as we’re name dropping I’ll do it for Al because he won’t. On top of being an Orvis staple he’s also made custom boxes and tubes for people like Jimmy Kimmel, Michael Keaton, and Tucker Carlson. Today, at least as of our latest phone conversation,  he’s really turned the corner and is riding the wave. Despite frequent doctor check-ups, daily pain, weaning off opiates, and having 5+ years left before the radiation fully leaves his body, optimism is at an all time peak after the latest PET Scan showed the cancer had been eradicated. Still knowing full well that part of the future isn’t in his control,  he presses on, consumed by his desire to create. “I can attribute most of my mental healing to my craft. Don’t know what I’d do without it.” Even when you factor in the merciless misery he’s faced over the last 3 years, not being in his shop could be the worst part for him. Now that he’s finally able to be Al Swanson again, I asked if he has plans for new products. To which he ensures there is plenty in store, for both furniture and fly fishing. “I’ve also got a 16 year old son that I want to see grow up”. His friends all tell him he should write a book because, as they say, “he’s been to hell and back”.   


Basketball Culture Photography

Basketball Hoop Photography - Culture

Communication Arts Photo Annual - Award Winning Photos

Competitions have become one of the many shams in the photography industry. Today is seems like there are as many competitions as there are Starbucks, and they all prey on people, promising “exposure” that will lead to a world of endless possibilities. What they really are is a bullshit way for companies to rake in a boatload of money on entry fees. Communication Arts on the other hand, has a long standing reputation for high quality and publishing the most inspiring work of the year in their Photo Annual. So I’m honored to have my American Backcourts images included in this years pages along with breathtaking work by incredible photographers.

Click HERE to pick up a copy of American Backcourts

Smithsonian Magazine

The Saguache Crescent

Small Town Newspaper - American Culture - Publishing

If you’re not interested in hearing more talk about personal projects than skip this one. It will be a familiar topic forever though, so get used to it if you’re going to stick around. Shot these images back in July of 2019 during a road trip out to Colorado. There was a final destination in mind but the route was unplanned. One of the small towns that popped up along the way was Saguache, CO. And by small, I mean population 424 small. Driving down “Main St” I noticed a very peculiar yet unmarked storefront. Inside the front window was an unidentifiable machine that looked like it came from a different age. (Findings like this are one of the many romantic draws to small towns). The screen door was open so I went in and was greeted not by a person, but a space filled with unexplainable life. A monstrosity of metal, tools, and papers from front to back, but I couldn’t figure out what year it was or what it all meant. There was nobody inside so I tried the jewelry store next door hoping for an answer. Sitting calmly behind the counter was the man I later found out ran the business I had so many questions about. That business turned out to be the town newspaper, the last of it’s kind still being printed on a linotype machine. A what? A linotype machine. The industry standard before the invention of computers. Now they are dinosaurs. Dean was very lackadaisical toward my request to photograph him at work, but nevertheless we made plans to meet again after my 4th of July camping trip. So about 5 days later I was back in a town I had never previously heard of, working on a story about Dean Coombs and The Saguache Crescent. My two days with Dean and the town of Saguache was quite memorable. It all seemed like living in a time capsule. Life there happens in a bubble because Saguache has nothing to draw any tourists, so the only people you’ll ever see are locals. Learning about Dean’s process what both educational and humbling. The patience required by one person to put out a weekly newspaper on a linotype is unfathomable. Hats off to Dean and all the people around the world dedicated to similar tasks.

One morning at the local cafe I sat quietly at the bar waiting for a breakfast burrito that turned out to be the size of a piece of firewood. Haven’t found anything even close to that size since. But just as memorable was a 90 year old man in conversation with a friend, who picked up a jar of sugar and did a 10 second pour into his cup of coffee. Kinda threw all the science about health and longevity out the window.

A while after the trip an edit of images was put together and sent around to a few places and got picked up by The National. We were happy with the placement as The National is a very reputable/long running publication. Then Covid hit and everything went to shit. The piece needed a new home. We received warm feedback from a contact at National Geographic. She liked the photos/story even though it wasn’t a good fit and suggested we pitch it to the Smithsonian Magazine. So we did and 1.5 years later here we are. It can be hard waiting so long for a piece to find a home. The wait is well worth it though when that home winds up being The Smithsonian.

If someone handed me a billion dollars tomorrow I’d still be working on these type of projects. Telling stories about people like Dean and the last newspaper in the world being made on a linotype machine. I’m grateful for the opportunity to tell his story my own way and to collaborate with Nick Yetto on the writing. And to have a personal project end up at a place like the Smithsonian.

Long live the personal project!

Click HERE to read the article on Smithsonian’s website

ROAD TRIP

THE BAD:This past week was the first time in a while since I’ve been on this particular route through Arizona, New Mexico, and Texas. The findings were not good economically. It was hard to see so many familiar small town restaurants and hotels closed, boarded up, or in the process of being demolished. Maybe the timing was a coincidence, but you have to wonder if it was all the result of COVID? Either way it’s a shame.

THE GOOD: Road trips are always so much fun, educational, and therapeutic. This one had me shooting on a cattle ranch (The Four Sixes) in the Texas panhandle where I met some great people and had a hell of a lot of fun shooting with them. Will be a while until I can post those images. So for now you can click HERE to see more of my Cowboy photography.

Alaska Fly Fishing Photography

Alaska Fly Fishing - Drake Magazine

Fly Fishing Photography - Adventure - Culture

Another post about personal projects…….

If you’re a fly fisherman then you know The Drake for it’s exceptional photography and writing. So I’m very proud to say that this article you see from the latest issue contains not just my photographs but my words as well. A first for me. Beyond that I’m also grateful that the article is about my friend Zach Benson - an Alaskan fly fishing guide, hunter, duck decoy artist, father, and New York State Trooper. It would be hard to find something more satisfying than hanging out with a friend in Alaska and turning that experience into something like a magazine article, ad campaign, image license, etc. As my career goes on though, this type of thing has become a huge focus. Using my passion/skill as a means to help people I care about. People that deserve it. People as passionate about their craft as I am about mine. For many years I got paid to photograph famous athletes, which is really cool as a young photographer looking to make a name for himself. Then as time goes on you realize it’s all bullshit. And most of the time clients want to create boring images that will do nothing but sell a boring product. That’s not to say there aren’t some really great brands out there that are fun to shoot with. For the most part though, nobody wants to take any chances. They want to play it safe. I don’t know what the Drake’s circulation is? Minuscule when compared to that of a company with reach like the Nike’s of the world. Still though, I’d rather shoot this stuff 8 days a week. And just for the record, The Drake didn’t hire me to shoot this story on Zach. It was a self assigned project that I pitched to them and they bit. No pun intended.

Long live the personal project.

Click here to see more of my fly fishing photography