Photographs of Western Artist William Matthews

A First Meeting with a Western Legend

Although he doesn’t come from The West and wouldn’t restrict himself to the title of Western Artist, there is no denying the indelible effect William Matthew’s work has had on Western culture.

As with most of my subjects in any genre, it’s important that I have a genuine interest. And I’ve long been a fan of Matthews’ art, which was the reason for contacting Western Art Collector Magazine to see if they’d be interested in a feature on the iconic watercolorist.

At 76 years young he’s full of life and still has a strong desire to create art at a prolific pace. So having the opportunity to meet and photograph Matthew’s at work in his Denver, CO studio was a gift i’ll always be grateful for. A lot of artists can’t be bothered with this kind of thing, but he was welcoming and generous with conversation throughout our time together.

Shared Stories from Historic Ranches Across the West

Of the many compliments you could say about an artist, perhaps the best is that their style is instantly recognizable. And there’s no mistaking the renowned paintings he created of the American West, specifically of the buckaroos in nothern Nevada. There isn’t another artist alive whose work even vaguely resembled Matthews’. Which could be a big reason for his success, but it was also what drew me to him. Digest his paintings for a while and you’ll know they were created by a person that truly became part of the life. He was there. The light, colors, and textures of his subjects could only be made by a person with first hand experience. So naturally we talked a lot about our experiences having visited a lot of the same ranches. Oddly, a few days before writing this post, I came back from the Winecup Gamble Ranch - a place he frequented. A number of his paintings of the ranch grace the walls there and his book “Working The West” sits proudly on the coffee table at the big house. To further the conversation about shared experiences we also spoke about Western Spirit: Scottsdale’s Museum of the West, where we both had work on exhibition at the same time.

Capturing the Atmosphere of an Artist’s Workspace

Matthew’s has lived a life in art. It is his life, and that’s obvious when you walk into his beautiful studio, which I’m told he hadn’t ever granted access to. The shelves are filled with books about design - previous profession and gateway into art. The floors are a beautiful hard wood that accents the rich walls filled with momentos from decades of travel, and of course, art. The upstairs loft feels like a break room of sorts, where Matthews goes to play one of the dozen guitars that line the space. All of this is obviously bathed in beautiful light from the north facing window that he designed along with the rest of the studio.

Photographing an artist like this in his sanctuary should never be taken lightly. And there is also a lot to consider when it comes to the plan of attack. First and foremost is respecting their time. Beforehand I had it in my head to set up a few strobes, but quickly realized that half hour would be better spent photographing documentary style as a fly on the wall with available light.

How Matthews’ Work Connects to Cowboy Photography

William Matthews’s paintings aren’t made to create a dramatic version of the American West. They are quite the opposite. His paintings are beautiful, but they’re also full of the real grit that comes with being a real cowboy. And that same grit is what I hope to portray in my photographs. So if you’re attracted to his style, you might also enjoy the photographs I make of working cowboys, which you can view HERE.

Prints from my cowboy series are also available HERE.

Photograph of the artist William Matthews — Portrait of artist William Matthews

Photograph of William Matthew's studio in Denver, CO — Photograph of William Matthews painting in his Denver, CO studio.

Photograph of western artist William Matthews making a painting — Photograph of William Matthews painting

Best Western Charcoal Artist - Fine Art

Doug Monson is a western charcoal artist that lives in Afton, Wyoming in the Star Valley. While his his entire life has been dedicated to art, it wasn’t until recently that full time success became a reality. Nowadays you can find his beautiful charcoal drawings of cowboys and wildlife hanging in his own Western Skies Gallery, Jackson Hole’s oldest fine art gallery - Wilcox Gallery , and in the homes of fine art collectors all over the world .

Its wild to look back and see how certain parts of your life come together. I make it a point to do as much backcountry snowboarding in Jackson Hole, WY as possible. The terrain and snow quality is just top notch. This past winter we were up there during a particularly cold storm which got down to -30 for 3 days in a row. The excitement overtook me, as it often does, and I forgot to treat my diesel pickup truck with the proper chemicals that would keep it from freezing. So, it froze. Literally. To the point that it was towed to the dealership in order to thaw out in their heated garage. Aside from costing a lot of money to fix, it also kept me in Jackson for longer than expected. My friends went out riding while I dealt with the truck, leaving a large portion of the day open. So I walked around town to all of the famous galleries like Wilcox Gallery, Horizon Fine Art, Gallery Wild, Heather James Fine Art, Altamira Fine Art, and Brookover Gallery, to name just a few. Jackson Hole has a LOT of fine art that can keep just about anyone happy for days at a time. I’d been meaning to tour the galleries anway, in hopes of finding a place to sell some of the work from my photography series on Cowboys. So having that day was an unwanted blessing in disguise. And the inspiration you can get from seeing so much great work can be addicting for any kind of artist.

By the time my truck was ready I was in a rush, which caused me to take the quick way home instead of taking several days sniffing around for photographs. The “quick” route took me through Afton where I stumbled upon Western Skies Gallery. Still having the gallery bug I went in and was greeted by Doug Monson, who I soon learned was a charcoal artist and the gallery owner. Upstairs above the gallery is his working studio. I was in awe of the space and asked if it would be ok to make some photographs while he was working. Doug obliged and we would up spending an hour or two just hanging out talking while he drew and I made photographs. I had no idea what would happen with the images, but was inspired by the space and his work. A few weeks later it occured to me that it would be fun to write an article on Monson, and here we are 10 months later with a feature in Western Art Collector Magazine!