In the past selling prints hasn’t been a huge part of my business, but the requests have certainly started to grow. Unfortunately, I’ve never had a feature on my website in place that allows people to just hop on and order whatever image/size/medium they please, which really hindered the process. So I’m very happy to announce that this feature is now available. Just go to the link below and you can choose from any image listed and order just about any size print, canvas, metal, or wood print that you’d like. And if there is a specific image you’d like that isn’t listed, just reach out to me directly and I’ll get it up there for you.
Been saying this for a while now, but personal projects are the best, especially when they connect you with other like minded people. Which is certainly the case with Dan Peterson of Project Backboard. He’s been doing amazing things with outdoor basketball courts all over the country. Taking broken down courts and turning them into beautiful works of art that locals are excited to play on. Recently we visited a few of his courts in Los Angeles together, and I was able to talk with him first hand about the process and how things have developed over the years. I really applaud this project and hope that it continues to grow. If you want to check out more of what PB has done, go to their WEBSITE or follow along on their INSTAGRAM PAGE.
If you recognize the bridge in the Watts Oasis images, that’s because it is the very bridge from those famous scenes in White Men Can’t Jump. I personally love that movie and was ecstatic when Dan told me what it was.
1) Where are you from and what place has basketball taken in your life (prior to Project Backboard) ?
I grew up in suburban NY during the heyday of the great 1990s Knicks teams and ultimately played a year of basketball at Iona College before leaving my official playing days behind.
2) When did you come up with the idea for Project Backboard(PB)?
Project Backboard wasn't really my idea! I started the work just by painting lines on public courts in Memphis that did not have any just because I loved outdoor basketball.
3) How long/what did it take to get things going for PB?
I got my first large grant about a year after starting Project Backboard but it was another year before I did the court with William LaChance in St. Louis that really got a lot of attention and opened the door for Project Backboard to become what it is today.
4) What was the initial reaction? How have reactions changed since you started?
The initial reaction was overwhelmingly positive and that is the reaction I have continued to get. That said, this style of court has become surprisingly common over the past 12-18 months that the reaction now may be a bit more restrained than the early courts. No one had ever seen anything like the William LaChance court when we first painted it.
5) How have you gone about getting funding for these projects?
A lot of the courts are funded either by community or corporate foundations.
6) What is the process like from the original idea for a court to the final execution?
The painting process is different for each court depending on what the artist has in mind for the court artwork. Sometimes its a lot of measuring and straight lines or curves and other times we create a grid across the entire surface of the court and drawing the artwork box by box.
7) PB has teamed up with some big name companies. How have those relationships come about?
People reach out and I respond! I am always open to collaborating but the successful projects have been ones were the brands are able to be a little less “corporate” in their approach and allow the artist the freedom to create and lead the project vision.
8) What is the overall goal for PB?
For every community to have a safe and inviting basketball court. I love outdoor basketball and want to share that with others but, from my perspective, the way that will happen is when individual community members step up to help care for public spaces and hold those charged with maintaining those spaces accountable.
9) Any big projects in the works that you want to share?
Yes! Looking forward to a few courts in the Bay Area and a court in Puerto Rico along with a handful of others.
10) Random thoughts on PB......
I appreciate all the support and, as I said, always open to collaborating and helping others follow my example so don't hesitate to reach out!
Spent all of last week in Brooklyn, NY shooting for a client. That shooting involved a lot of exploration around the borough with a focus on one particular subject (more on that to come), but I’ve always got my eye out for other things as well. And basketball hoops are definitely high on the list. Have never done much city shooting for the Hoops Project, but really enjoyed it. Brooklyn is magical place. Wouldn’t mind spending a lot more time there.
On 12/18/17 the Los Angeles Lakers will be retiring Kobe Bryant's jersey at the Staples Center. If you're around for it, or just live in LA, come by Fathom Gallery afterward. I'll be showing some signed limited edition hoops prints. Alongside my prints will be a bunch of signed one of a kind Kobe jerseys that have been made in art pieces by a number of extremely talented street artists. Hope to see you there!!
Fathom Gallery. 12/18/17. 9pm-12am. - 110 E 9th St, Suite CL002, Los Angeles, CA 90079
These images were made a few weeks ago during a trip to Indonesia, and won't be in the show, but wanted to post some updated images anyway. For more, check out my HOOPS gallery.
For those of you who follow what I do, you know what a huge advocate I am for personal projects. So seeing this one start coming alive is immensely gratifying. I'm so excited to announce that my Hoops Project will be premiering at the Boyd Satellite Gallery in New Orleans this coming February to coincide with NBA All-Star Weekend. There is still a long way to go until it goes down, and has already been a long road. About 8 months ago, I had a show set up in Charlotte, back when All-Star was supposed to hosted there. After lots of controversy , the NBA pulled out of Charlotte due to North Carolina's bathroom law. Not gonna get into that, but needless to say, it was a huge hit. I went back and forth about what to do, given that there wasn't much time to start over with trying to find a venue in New Orleans, the new host city. For a while, my enthusiasm about a show fell way off. Then the project got picked up on Sports illustrated and another popular site overseas. Which gave me the necessary kick in the ass to not let this thing die. The next day, I booked a flight to New Orleans to start knocking on doors. Immediately after getting to my hotel, I walked outside, and was hit with a heavy feeling of "where the hell do I start". One by one, I walked into every art gallery in New Orleans with an iPad to share the project. Surprisingly, most people were very open to the idea, but nothing real concrete was put in place. Then a few days went by, and offers from different galleries started coming in. Given the lead time and scheduling that most galleries keep, this was amazing. Was hoping for just one half assed "yes", so having three solid offers was unreal. After a lot of debate, I decided on the gallery that I had the best feeling about, and thought I had developed the best relationship with. Now here I am trying to throw this thing together. Having all the printing/framing down, but more importantly, trying to get people into the gallery. I'm incredibly lucky to have support from SLAM Magazine. I've been a fan of theirs for a long time, so having them be fans enough of the project to support it, is a huge gift. Will be sharing more info on this in the future, but put February 17, 2017 on your calendar if you're in New Orleans for All-Star.
“The Basketball Hoops Project” Premieres at Boyd Satellite Gallery in New Orleans during 2017 NBA All-Star Weekend
The photography series captures basketball hoops from strange and remote areas of America.
Rob Hammer and SLAM Magazine have announced a partnership to exhibit the artist’s photography series “The Basketball Hoops Project” at the Boyd Satellite Gallery in New Orleans, Louisiana, February 4 – March 1, 2017. There will be a special All-Star Weekend Party on Friday, February 17 from 5-9 p.m.
The inspiration for the project came from the Larry Bird biography, “Drive,” which Hammer read as a kid. Inside was a photograph of Bird’s childhood hoop—nothing more than a wood backboard and rim hanging on a dilapidated old barn. That image made him think, “How could the greatest shooter of all time come from such humble beginnings?” As time went on, and Hammer crisscrossed the country on assignments, he noticed hundreds of other hoops just like Bird’s, and wondered, “What stories do those hoops have to tell?”
Over the course of three years, Hammer traveled over 60,000 miles by car, accompanied by his husky, Mojo, to the most remote parts of America in search of abandoned basketball hoops. He soon realized that basketball is everywhere. In every urban city, every rural town of every state in the USA, basketball lives, in some form or another. While some courts have been deserted, one can’t help but wonder how many hoop dreams began with shooting, practicing, playing and staring up at every one of those rims. This dedication to the game can be felt in Hammer’s images.
This February, SLAM Magazine will bring this gallery exhibition to the basketball event of the year: All-Star Weekend. “Rob Hammer’s photos are about passion—his passion for the road, his passion for basketball and the parts of the game that are hidden from the bright lights of the NBA,” says Adam Figman, Editor-in-Chief of SLAM. “We’re incredibly excited to be a part of this gallery opening.”
About Rob Hammer Photography
Rob Hammer is a commercial photographer based in San Diego, California known for his dynamic images of professional athletes, fitness, and adventure. His client list includes Nike, Adidas, Under Armour, Foot Locker, and Fox Sports. To view Rob’s work, go to www.robhammerphotography.com.
About SLAM Magazine
SLAM was founded in 1994 as the "in-your-face basketball magazine," covering all things hoop-related, from NBA, college ball and high school hoops to old-school stories, kicks, streetball and the fashion of the game.
Over 20 years later, SLAM is the No. 1 brand for all things that matter in the world of basketball. From Kobe and LeBron to Iverson and Durant, SLAM brings the reader face-to-face with their favorite players, and slamonline.com brings breaking news and rumors in real time. SLAM was launched as "the basketball bible," and is still the only place for the true basketball fan.
Boyd Satellite Gallery: 440 Julia St, New Orleans, LA 70130
Tim Mantoani passed away last week. He has been a huge inspiration of mine for a long time, and I regret not getting to know him better. Aside from being an incredible photographer who worked on huge campaign's with legendary athletes, he was a great person. Any time I ever had a question about photography, Tim was always willing to help. Which is a rare thing in our industry, let alone a small market like San Diego. A lot of photographers out there would (and do) view me as the competition, and in turn, blow me off. Not Tim though. Id approach him with questions about big ad jobs that I was lucky enough to have come my way (and any photographer would love to have come their way). And tim would take the time to tell me as much as he could about what I could do to land that "job". What do you say about someone willing to do that? Another thing Tim and I shared in common was our love for personal projects. He and I have always been big advocates for not just shooting, but promoting them as well. Shooting commercial campaigns are great, and I love it. But nothing is more rewarding than shooting for yourself. In my experience, they are also the thing that leads to more commercial work down the road. So it's an amazing win win. If you follow what I do, you know about the personal projects I've worked on in the past. The most recent, and ongoing, being The Basketball Hoops Project. Been shooting this for about three years now, and it's finally gaining steam. It was published this morning on Sports Illustrated's The Cauldron. Which has resulted in another news outlet approaching me about also publishing the story. You might be thinking that these things don't matter, but this is how it starts. A series of small steps that lead to a much bigger payoff. Ive got big goals for this project and it's commercial usage, so these things are great little pieces of a much bigger puzzle. Not sure where I'm going with this, but most importantly, want to encourage any photographer who reads this, to put more time into their personal projects. Anyone proud enough to call themselves a photographer probably has 20 different projects in their head at any given time. The problem is actually doing something about it. So if you are reading this, get off your ass and start one of your projects. Doesn't have to be huge, but go at it 100%.
Link to the article: HERE.
Link to my Hoops Project: HERE.
Of the many things I learned while shooting for the barbershop book, is that the longer you shoot one project, the harder it gets. And for only one reason, that the bar continues to rise. Which by all arguments is good. When this project first started, it was fairly easy to find unique hoops. Now I can drive to the east coast and back with only actually shooting 4 or 5 hoops. And as long as they are quality, then it doesn't matter. But I can drive thousands of miles without finding anything that works, and it makes you wonder how much farther you can take the project. Then right around the corner you find a gem, and all the sudden you're back on track. Love that.
Couple images from a shoot a few months back with World Champion and NBA MVP; Steph Curry of the Golden Sate Warriors. This was my second shoot with Steph, and he's still cool as ever. The second shot was taken during filming of the Foot Locker commercials you've probably seen on tv, and done with all natural light. The first was done on white seamless with 5 strobes. The only place we were permitted to set up our seamless was outdoors. And at the very least, you always have to worry about wind taking up the seamless, or knocking down your strobes. Weather that day said 0% chance of rain. And of course it didn't rain all day, until we were a few minutes into our shoot. Then it just started pouring. Steph wasa good sport about it, and thankfully, we had already got what we needed. Some of my equipment on the other hand, took a small beating. Took quite a while to rip it all down, and get out of the rain. Everything was all good in the end though.These two images are my favorites, but certainly not what Foot Locker/Under Armour used for their store windows/ads.
Been shooting this type of stuff along with a production crew for a long time now. And think this might have been the most fun yet, because of the inclusion of Jimmy Kimmel as "Bobby Butter". If you haven't seen the commercial, check it out. Filming with him was hilarious, and he was awesome. "I'm like mayonnaise, because I'm smooth, but dangerous to leave open.
Sorry about the low res iPhone pics of the store, but you get the point.
Over the past year+, I've been doing a lot of traveling/shooting for my hoops project. And think it has developed into a pretty cool body of work. Yesterday the gallery got a nice update, so head over there and check it out. Also decided to try and get these images out there, and currently working on a nice promotional booklet that will be sent nationwide to a large handful of magazines, companies, and ad agencies. Hopefully they will dig it.....
Steph Curry was just named the NBA MVP. And it couldn't be any more deserved. If you have watched him play this year, then you know why. He's just operating at a different level. I shot this image of Steph last year for NIke Basketball and Foot Locker in Los Angeles. He was a pleasure to shoot with. Genuinely nice dude. Big fan of the "Dark Knight".
You never know where your images will get picked up. I shot with DeAndre Jordan (Los Angeles Clippers) a few years ago, before he really blew up into the beast he is today. It was only his first or second year in the league, but you could already tell that he would be a force. Awesome to shoot with, as you can see from his energy in the pictures. Very willing, and has an infectious smile. Huge dude, but seams like a teddy bear off the court. I think he's my wife's favorite player, just because of his smilie. Anyway, these images from a couple years ago got picked up by another media outlet recently. And ran alongside an article about DeAndre, written by DeAndre. Pretty cool.