Had a mini freak-out the other day at the vet when we had to bring Mojo in to get a lump removed. They couldn’t say either way if it was cancerous, and would be 6 days until we got the results back. I left there thinking totally irrationally, and jumped on 99 Designs right when I got home to get a logo of him made up. No idea why I was doing it at all. Even asked myself that question the next day after calming down. Still not sure of the answer other than wanting something of him besides a photo that will also last forever. Now that I think about it, I’ve been paying a lot of attention to logos lately and thinking how similar they all are. On top of that, thinking how little my previous logo meant to me. I love this depiction of Mojo because he means so much to me, and it’s vastly different than anything commercial photographers use. It’s also cool to think about how much he has been involved in my photography. He has been on board for all of my biggest/long term personal projects like Barbershops of America and The Basketball Hoops Project. Not quite sure of the total tally, but he’s been to roughly 45 states with me. He’s made a lot of people smile, and just about everywhere I go, people ask how he’s doing. Glad he doesn’t have cancer.
Basketball Hoop Photography
Tim Mantoani passed away last week. He has been a huge inspiration of mine for a long time, and I regret not getting to know him better. Aside from being an incredible photographer who worked on huge campaign's with legendary athletes, he was a great person. Any time I ever had a question about photography, Tim was always willing to help. Which is a rare thing in our industry, let alone a small market like San Diego. A lot of photographers out there would (and do) view me as the competition, and in turn, blow me off. Not Tim though. Id approach him with questions about big ad jobs that I was lucky enough to have come my way (and any photographer would love to have come their way). And tim would take the time to tell me as much as he could about what I could do to land that "job". What do you say about someone willing to do that? Another thing Tim and I shared in common was our love for personal projects. He and I have always been big advocates for not just shooting, but promoting them as well. Shooting commercial campaigns are great, and I love it. But nothing is more rewarding than shooting for yourself. In my experience, they are also the thing that leads to more commercial work down the road. So it's an amazing win win. If you follow what I do, you know about the personal projects I've worked on in the past. The most recent, and ongoing, being The Basketball Hoops Project. Been shooting this for about three years now, and it's finally gaining steam. It was published this morning on Sports Illustrated's The Cauldron. Which has resulted in another news outlet approaching me about also publishing the story. You might be thinking that these things don't matter, but this is how it starts. A series of small steps that lead to a much bigger payoff. Ive got big goals for this project and it's commercial usage, so these things are great little pieces of a much bigger puzzle. Not sure where I'm going with this, but most importantly, want to encourage any photographer who reads this, to put more time into their personal projects. Anyone proud enough to call themselves a photographer probably has 20 different projects in their head at any given time. The problem is actually doing something about it. So if you are reading this, get off your ass and start one of your projects. Doesn't have to be huge, but go at it 100%.
Link to the article: HERE.
Link to my Hoops Project: HERE.
