Basketball As A Global Language

Basketball Hoops in Europe

Street Basketball and Public Hoops Across European Countries

Basketball is often thought of as an American game, but travel quickly proves otherwise. While moving through cities and small towns across Europe, I began noticing basketball hoops tucked into courtyards, alleys, schoolyards, and public spaces—quietly integrated into daily life. These photographs document street basketball as it exists beyond professional arenas: worn backboards, improvised courts, and places where the game is played simply because space allows for it. What stood out was both the differences from home and the familiarity—evidence that basketball has become a shared, global language spoken in cities far from where the game began.

Basketball Culture Beyond the United States

By the time these photographs were made, I had already spent years documenting basketball hoops across the United States. That long-term work shaped how I saw the game elsewhere. In Europe, basketball didn’t announce itself with signage or formal courts; it appeared quietly—behind apartment buildings, beside schools, along the edges of public parks. The hoops were often worn, sometimes improvised, and clearly used. These weren’t destinations. They were part of the landscape.

Basketball as a Global Game

Basketball’s simplicity is what allows it to travel. A single hoop can turn almost any space into a court. In Europe, that adaptability felt especially apparent. Courts were smaller, surfaces uneven, and surroundings shaped by centuries of architecture rather than modern planning. Yet the game persisted, fitting itself into whatever space was available.

These photographs aren’t about organized play or competition. They focus instead on the presence of the game itself—how basketball exists even when no one is on the court. In that way, the hoops become markers of cultural exchange, evidence of how a game invented in one country has embedded itself into everyday life far beyond its origins.

What These European Hoops Reveal About Basketball in America

Seeing basketball in Europe reinforced something I had already been observing at home: the game belongs as much to ordinary places as it does to arenas. The same visual patterns repeat—bent rims, weathered backboards, courts shaped by their surroundings rather than by regulation. Basketball adapts to place, but it never loses its identity.

That realization continues to inform my ongoing work documenting basketball hoops across the United States. While the landscapes differ, the impulse behind the game feels universal. Basketball shows up wherever people live their lives, and the hoop often remains long after the players have gone—quiet, functional, and waiting.

An Ongoing Documentary Approach

This body of work exists alongside my long-term project photographing basketball hoops in America, where I continue to focus on rural towns, backyards, alleys, and overlooked spaces. Together, the images form a broader visual study of basketball as part of everyday life—one that crosses borders without losing its meaning.

Rather than treating these European photographs as a separate series, they function as context. They reinforce the idea that basketball isn’t confined to a single country or culture. It’s a shared language, expressed through place, architecture, and the simple presence of a hoop.

View More Global Basketball Hoop Photographs

American Backcourts - A long-term photography project documenting old, handmade, and overlooked basketball hoops found in small towns, rural yards, and quiet neighborhoods across the United States.

Vietnam Hoops - A photographic exploration of basketball hoops across Europe, where the game blends into historic streets, housing blocks, and everyday public spaces.

Venice Beach - A vibrant look at basketball culture in Venice Beach, California, where color, creativity, and public courts collide in one of the most iconic basketball environments in the world.

Outdoor basketball hoop on a metal pole set in front of a mosaic brick wall on a European courtyard court.

A basketball hoop stands in a small courtyard, framed by handmade brick and stone mosaics that blend public art and everyday basketball culture

Black and white photograph of a residential basketball hoop set on a small outdoor court in Europe.

A lone basketball hoop in a residential setting, photographed in black and white, highlighting the quieter side of European basketball culture.

Chain-net basketball hoop mounted on a pole in front of a brick wall on a European outdoor court.

A chain-net basketball hoop centered against a brick backdrop, highlighting durability and utility in European public courts.

Close view of a basketball hoop with a green net on an outdoor European court, photographed against an urban background.

A brightly colored basketball net hangs from an outdoor hoop, emphasizing the visual details that define everyday basketball culture in European cities.

Close-up of a basketball hoop pole anchored into moss-covered stone on an outdoor European court.

Detail of a basketball hoop’s base, where metal, stone, and moss reveal the slow passage of time on an outdoor European court.

Black and white photograph of an outdoor basketball hoop and net on a European public court.

A straightforward view of an outdoor basketball hoop, photographed in black and white to focus on form, structure, and balance.

Outdoor basketball hoop with a red backboard set in front of a historic brick building in Europe.

A red basketball backboard stands out against brick architecture, showing how outdoor courts are embedded within everyday European neighborhoods.

Black and white photograph of a church steeple framed through a basketball hoop on a European outdoor court.

Seen through the rim of a basketball hoop, a church steeple rises in the background, placing the game within the architectural fabric of a European town.

Outdoor basketball backboard photographed behind protective fencing on a European urban court.

A metal basketball backboard seen through fencing, reflecting the layered infrastructure common to many public courts across Europe.

Black and white photograph of a basketball hoop viewed through fencing on an outdoor European court.

Viewed through layers of fencing, an outdoor basketball hoop emphasizes access, separation, and the realities of shared public space.

Handmade wooden basketball backboard with an orange rim photographed in a European residential setting.

A handmade wooden backboard with a bright orange rim highlights the improvised, personal nature of informal basketball spaces.

Outdoor basketball hoop photographed at dusk behind fencing on a European public court.

A basketball hoop at dusk, surrounded by fencing, captures the subdued atmosphere of an outdoor European court after daylight fades.

Outdoor basketball hoop on a quiet European court with moss-covered paving stones and surrounding trees.

A solitary basketball hoop sits on a moss-covered outdoor court, reflecting the quieter, weathered character of many European public playing spaces.

Outdoor basketball hoop with a chain net set against an urban building facade in Europe.

A chain-net hoop framed by city windows, underscoring how basketball courts exist within dense European urban environments.

Street Photography

2012-ish in Amsterdam was the first time I recall embracing the simple joys of street photography. After years of lugging around a lot of lighting equipment, it was very refreshing to just have a camera bag on my back. That was also the first time that I remember having a focus on one subject. The first time I grasped the notion of a “series” of images. Maybe it was too much time spent in the cafe’s, but either way, the singular focus wasn’t intentional. After miles and miles of walking around Amsterdam, it just struck me that I had photographed a lot of bicycles. And all of a sudden, Emily would be saying “look at that one over there” or “that’s a good one”. The theme had caught on. She recognized what I was doing too. Probably because she always had to wait while I made 35 different images of one bike from 35 different angles. Regardless, it stuck and was most likely the beginning of the way I think about long term personal projects like Barbershops of America and The Hoops Project. Both of which are focused on one subject and have been going on now for 8+ years. They are a great balance to the commercial work, which I love, but it very involved with planning, time, and gear. Over the past couple years, my kit for personal trips has been cut down even further. In fact, on this last trip to Europe, all that came along was one camera body and one lens. The feeling of not having options is quite freeing. There is no need to think about switching lenses every 5 minuets to accommodate the situation. You just have to make do with what you have. ultimately, it makes you a better photographer. And it cuts down on weight. Nothing better than traveling light. Here is another batch of images from Europe in December/January. They were all made with very little thought as to why or a care of where they would end up.

Click HERE to see more street photography.