Brought the lighting gear out to a cattle branding a few months ago to make some portraits. Wanted the focus to just be the people and their gear without anything else to distract from that. Had a blast setting it all up and shooting in a horse trailer, but still undecided if I’ll stick with this style or not.
Creating make-shift “studios” has become somewhat of a specialty over the years. I never understood the purpose of having a traditional brick and mortar studio and thoroughly enjoy the challenge of building one on the fly. Looking back, it would be fun to have a gallery of images just documenting all the ones I’ve made in random places. Moving forward, it’s on the list. Of all those places, this is the first for the inside of a horse trailer! Plenty more to come from this shoot.
It’s really interesting to look at what you do and don’t shoot over a long period of time. Way back when I first got going it was only people. That’s all I would shoot. Then at some point drifted away from that to basketball hoops and people-less places in small towns. It was never a conscious decision, but it happened. It was a conscious decision to start again however. Not sure why, although it occurred to me that subconsciously I was missing human interaction from COVID? Don’t know. Either way, it’s a plus. I love America so much. And just this second as I’m typing, a commercial comes to mind of John Cena saying “To Love America, is to love all Americans”. While that’s not a reality for most, it’s true. And talking to people from all over this country can teach you so much, about people, and the country. One of my favorite things in the world is being on an empty road for long periods of time, but nothing can replace the interaction between someone that lives, thinks, and believes in things opposite of yourself. It’s also an opportunity to give. To help change a person’s mind about a possible misconception they have of “people from California”, which as I’ve found out is not a liked stated.
On a photography related topic, you also learn a lot from what you can’t have. The first shot here of the woman in the Minion coat was made about 7:00am while she was out walking her dog/smoking a cigarette. Her response to being asked for a picture was “as long as my face isn’t in it”. That frustrated the hell out of me. What good will this portrait be without her face ? Then she put her head down and the Minion eyes/mouth appeared and solved the whole problem. And on top of that you can still see the cigarette sticking out. So the result wound up being way better than the image I originally set out to make.
